Meet the Maker “Claudia Chloe”

I didn’t know I wanted to take pictures until I was accidentally placed in the photography program at Monmouth University after receiving my associates in fine art at community college. I had no idea what I was going to do for a living at that point, so I took it as a sign to put down the paintbrush and pick up the camera. And I am so beyond thankful that I did.

image 1Living a two minute bike ride from the Asbury Park Boardwalk my whole life, I have always been heavily influenced by the playfulness of the beach-goer lifestyle. The bright colors of umbrellas and swooping lines of the Atlantic Ocean’s tides are a huge part of my aesthetic.

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I’ve been attracted to aerial images since I began studying photography. I love the way they can simplify and organize such a chaotic world. So, when I had my first opportunity to hang out the side of a doors-off helicopter to shoot the beaches of Miami last spring, I was thrilled and I am so grateful that I was able to have that first experience.

In the last year I’ve also shot over Manhattan, Sedona, and most recently, the coast of the Jersey Shore from Seaside Heights to Asbury Park.

image 3I hung a few of my shots in a local shop on the boardwalk, The Market, that summer, and the response was so overwhelming that soon after, I registered Claudia Chloe as a business and set up my own Etsy shop. I am now in several other shops both online and up and down the Jersey Shore.

image 4I print the majority of my images myself. Watching my digital files turn into tangible objects that people want in their homes is definitely the most rewarding aspect of owning my company.

image 5No matter where I am, I like all of my images to make the viewer feel the way I do when I’m up in the helicopter – completely elated with the overwhelming beauty of the landscape and the way the human figure interacts with it. I never feel more connected to this world than when I am dangling 1,000 feet above it.

image 6When I’m not shooting, printing, editing, or answering emails, you can find me on the Boardwalk with my puppy, Lula Mae. In the past several years, Asbury Park has completely flourished with small businesses and artists and it is just so exciting to be a tiny part of this expanding creative community.

image 8I’ll be flying over Asbury Park again on the morning of Saturday, August 6th. So, if you are in the area, look up and wave!

image 9Claudia Chloe will be selling prints of her photos at our Art Star Craft Bazaar in Asbury Park on July 30th + 31st! Find her work online HERE.

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Meet The Maker “Emilie Didyoung of Stick & Stone Designs”


I’m Emilie Didyoung, maker of Stick & Stone Designs. My mission is to create custom textiles that use natural dyes in an attempt to remain conscientious of my effect on the environment. I am always interested in using processes and techniques that have been around for centuries while giving them a contemporary voice.

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I create all my work in my apartment in the Fairmount area of Philadelphia. I tend to do my work all over the place. I have a space set up in my room where I have my desk, computer, fabric, etc. but I also have to work in the kitchen when working with dyes/mordants that require heat. When the weather is nice, I try to use my little city backyard as much as possible! Bring out my vats to dye in and hang all the fabrics to dry. My apartment is small and unique, just like any old brownstone but it works just perfect for all my maker’s needs!

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I primarily use natural indigo in my work. There is just something about those indigo blues that always keep drawing me in! I also have a very deep connection to the process of indigo dyeing. I’ve tried many different forms of dyeing with indigo such as fresh leaf dyeing, a fruit vat, iron vat, fermentation vat, and the vat I use the most—a fructose vat. I also had the special opportunity to experience harvesting and winnowing Japanese indigo and dyeing with the Japanese Sukumo vat.

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The Art Star Craft Bazaar will be the first time I will feature my new designs in new colors! I recently shifted my focus from just indigo to other forms of natural dyes. I have experimented with other natural colors in small amounts over the years but this will be the first time I will be selling products in new colors. Of course I will not be abandoning those indigo blues! My new color ways will be over-dyed with indigo to create a vast array of shades in each product. My new natural color experiments include madder and fustic wood over-dyed with indigo. This will give a striking range of yellows, greens, and teals and a lovely selection of pinks, blush tones, and purples. I’ve also worked with marigolds, onion skins, cochineal, turmeric, hibiscus flowers, black beans, red cabbage, and much more to come!
StickandStoneDesigns_Photo_5As a surface designer, the design is just as important as the color. I mainly focus on using shibori and dip-dyeing techniques in all my work. I have also worked with resists, screen and block printing. But shibori and dip-dyeing have always allowed me to create that clean minimal look that I always strive for. There is something truly beautiful about creating a pattern just by the folding and binding of fabric. Simple techniques for my simplistic designs.

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I’ll have a variety of products for the home and some wearable items available. Plenty of indigo and my new colors will be featured at Art Star Craft Bazaar! See you in Asbury Park!

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Meet The Maker “Julia Passafiume”

Well, hello everyone! I’m Julia, and I design and sew a line of quirky and sustainably sourced kids and baby clothes.

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Five years ago I was knee deep in mannequins and silk crepe de chine at a very fancy fashion school in NYC, and I loved it. I savored every moment I could arguing about the intention behind a style line or the consideration in debating to use one button over another. Most makers know this feeling of getting blissfully lost in the details, right? I graduated after being nominated for designer of the year in my class and I leapt into the arms of my first job offer as an Associate Designer for a kids clothing company.

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But when I left the safe sewing rooms of Parsons is when I began to realize the overall motive of the fashion industry: to make money. The entire industry had devolved from creating products that had value and quality to just making as much money for the cheapest cost possible. This shift is at great cost to the lives of millions of people- just Google the Rana Plaza Factory Collapse or “what color are the rivers in China” for just a taste of the toll our fast fashion choices are having on the world around us. Obviously, my naïve little heart couldn’t handle it anymore, so I left my job in New York City and came home to Point Pleasant, New Jersey.

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For me, sewing is about creating something from scratch and being mindful of the time and energy it takes to do so. I’ve been sewing for years, but not until I left my job in New York City did I realize this was where I find my happiness. I’m now also a full time seamstress for a local shop, so creating kids clothes is something that happens in the time before and after my 9-5 hustle. And whenever there’s interest, I love giving sewing lessons to people of all ages!

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All of the products I make are from sustainably sourced materials such as organic cotton, fast-growing hemp, recycled vintage fabrics or traditional weaving methods. I also make a push to buy American made materials whenever possible. A company called Spoonflower that uses eco-conscious dyes and digital printing methods, which have a much lighter footprint than other printing methods, does most of my printed knits right in North Carolina. Just like other makers of handmade clothing, I know that small-scale fashion is part of the solution to a very large and complicated problem.
5 (3) copyI’m so looking forward to the Art Star Craft Bazaar in Asbury Park because the maker community here at the beach is so inviting and we’re sure to have a good time! Come by and say hello to my sister Leah (who is a printmaker and bookbinder) and me while we’re smushed in a booth together and chat with us about happy handmade things!

In the meantime, feel free to check out my Instagram and my Etsy Shop!

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Meet The Maker: Daniel Jones of TAKE IT or LEAF IT

Greetings world, my name is Daniel jones and I run TAKE IT or LEAF IT. we make funky plant fixtures and furniture for your home or workplace.

Made from old cedar wood someone tore out of a home on my street, these honeycomb shelves are perfect for any rock collector, airplant enthusiast, or just someone with a knack for knick-knacks. Each individual hexagon is 2.75" in diameter.

Made from old cedar wood someone tore out of a home on my street, these honeycomb shelves are perfect for any rock collector, airplant enthusiast, or just someone with a knack for knick-knacks. Each individual hexagon is 2.75″ in diameter.

Nearly everything we sell comes from recycled refuse, or simple construction materials, and is entirely hand made. The main materials I work with right now are wood, concrete, and copper.

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Tools of the Trade

I have been making things with my hands since high school, but have only been running this business for about two years. I live in ocean city, NJ about a block off the beach, and do all my work from my tiny apartment. Im currently fixing air conditioners and heaters on the island as my day job, but plan on taking the shop mobile for fall and winter across the country in a big ol van. We have lots of new items in the works for this year, and we may just be rolling through your town pretty soon so keep an open eye out for any suspicious looking vans.

Enjoy some eye candy of TAKE IT or LEAF IT’s line of home goods.

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Find TAKE IT or LEAF IT online HERE or at our upcoming Art Star Craft Bazaar in Asbury Park, NJ!

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Meet The Maker: Deidre Lozier of Mountain Honey Clothier

The Evolution of a Small-Batch Fashion Designer


When I first started Mountain Honey I was a non-traditional college student. A mother of two boys, with a third on the way, who had decided to go back to college at the age of 30 and become a biologist. Getting my degree, with high-honors to boot, was one of the biggest challenges I had ever faced, I was determined to go all the way to my PhD and become a researcher. I’m rather fascinated by life on the molecular scale; the biological processes that take place invisibly on a cellular level are some of the most beautiful and intricate wonders I have ever beheld.

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As if I didn’t have enough on my hands at this point in my life, I desired to find a meaningful, albeit, temporary solution for helping to support my family. My mother taught me to sew as a young girl and brought me along to craft fairs where we sold sweet, handmade, holiday treasures. When I had my own children I began focusing my sewing on clothing and toys, and found great joy in crafting items that reminded me of the simplicity of being a kid. Between writing papers and Organic Chemistry labs, I found myself sewing, and learning how to draft patterns and design my own pieces. On a whim, I Googled, “how to make money sewing.” A couple months later I had free-lance jobs working for children’s clothing designers. I was doing everything from drafting patterns, prototyping, and sewing samples, to product photography.

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I quickly realized that I could do the same thing these designers were doing, even without the fancy degree from a NYC art school. As it turns out, there is a whole lot of science behind fashion design. Drafting a pattern and creating a piece of wearable or playable art involves engineering and mathematics; it’s equal parts calculation and creativity. I fell in love with the freedom that designing for myself allowed me, and with the incredibly pleasing experience of having something I made, with my own hands, loved and cherished by a family. And so, Mountain Honey was born. I love the challenge of taking an abstract idea and making something tangible out of it, and I constantly push myself to come up with something unique and new, yet with that classic feel. My star item is our Signature Bonnets, which feature removable, interchangeable ears. It has to be the design I’m most proud! They are functional, unique, and about the cutest thing you could put on a little one. I adore seeing kids running around the markets I attend with little animal ears poking up from their heads!

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I’ve graduated now and I haven’t headed back to school for that PhD. Instead I’ve spent the last two years working tirelessly to grow Mountain Honey in the most organic way possible. My background in the sciences means I am acutely aware of the stress that manufacturing places on our natural resources and the humanitarian costs of production. Because I choose to grow my company slowly and keep it as a small-batch/limited edition line, I have the flexibility to choose my materials and processes wisely, and I remain 100% committed to running a sustainable and fair practice business. I’ve kept the line grounded in Vermont, where I live and grew up. Currently all Mountain Honey Clothier products are produced by either myself, or my assistant, Sophie. I hope you’ll fall in love with the heirloom treasures we’ve created and become a part of our small-batch fashion movement..

Deidre Lozier
Founder & Creative Director
Mountain Honey Clothier

Find Mountain Honey Clothier at our Upcoming Art Star Craft Bazaar on July 30th + 31st in Asbury Park, NJ.

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Meet The Maker: Kimberly Frey of Happy Land Handmade

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I started Happy Land Handmade in 2010 to put a name to what I do, which is crafting art objects, wearables, home goods and pottery out of ceramics. My husband and I derived the name from the title of a 19th century Scottish hymn as a ode to our faith. It seemed fitting to touch that vein as an identity piece because I find that the identity of an artist illuminates the work that we make. The pretzel happens to be a symbol I use which touches this vein too. The history of this beloved food is that it was conceived by Italian nuns and labeled as the “trinity loaf.” Besides my faith identity, it represents my heritage as the great great grand daughter of an Italian immigrant who ventured to establish himself as an American citizen and pretzel shop owner on 2nd street in Philadelphia.

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I studied fashion design at Moore College of Art in Philadelphia before transferring to Tyler School of Art for crafts and ceramics. I still pull influence from my time in fashion school into my ceramic work. I am inspired to create wearable porcelain jewelry as well as styling and photographing my own photoshoots of people I meet in my own life. I absolutely love the process of creating my own photos of my work. It enables me to have full control over the marketing aspect. I also take it as an opportunity to make art in another medium; photography. So I’m not just interested in photographing a ceramic pot on a gradient background, but more about creating an interactive environment for my work and then photographing that. Though I’m mostly self taught, I truly am a novice of many art forms and am nearly always, unapologetically seeking out another opportunity to try my hand in something new.

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I work at my home studio in Happy Valley Pennsylvania which is completely perfect for me. I am an artist mother and being in the home while I practice my craft is essential for this season of life. I am able to seamlessly float between domestic and motherly duties back to the ebb and flow of the ceramic process; one that is both meditative and ever undulating. I work with various ceramic processes such as hand building, throwing, mold making and slip casting. My recent work is inspired by various fashion trends, food, color and material. Honestly, I am an alchemist at heart so this medium a lot of times, informs itself. I will both interpret color and texture from real life into my work or uncover color and texture in my work and expound on it. I see mastering ceramics as a life time of testing and follow through. Each body of work that I make uncovers new insights on the endless possibilities of material, color and form. It’s really fun; at least when things don’t go disastrously wrong, which, any ceramist knows to always account for waste.

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I am learning to be business minded as Happy Land debuts this July for its first real deal craft event. I am excited to bring well made and designed, affordable ceramics to the market place and to meet you and the other makers. And of course, to enjoy the sun and surf, which is where I would live permanently if I could! Till then, take care and see you soon.

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Find Happy Land Handmade Online and at our Upcoming Art Star Craft Bazaar in Asbury Park, NJ on July 30th and 31st.

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Meet the Maker: Morgan Kazanjian of Awl Jokes Aside

My name is Morgan and I create books and cards under the name Awl Jokes Aside (partly because my last name is too complex to just use my name, and partly because I love puns). In addition to enjoying long walks on the beach and candlelit dinners, I also love all things bookbinding and paper.

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I was introduced to bookbinding during my senior year of college when I took a class to help complete my printmaking concentration. It immediately became my favorite craft, because I didn’t have to have some deep, meaningful explanation of why I made what I made – I could just make something because I liked it.


After four years of intense artsy-fartsy classes, I took a long break from making anything artistic or creative, but when I started feeling inspired again last year, I immediately got right back in to bookbinding.


For each book, I start with large sheets of Strathmore drawing paper and tear it down by hand to give it the deckled edge. Then it gets folded and marked for sewing, and I’ll use an awl (get it now? Awl Jokes Aside? Ha!) to create my guides. I then sew it all together and reinforce the spine of the paper with acid-free glue while it sits in a press.


When I’m making a hardcover book, I’ll cut down bookboard and cover it with either fabric or silkscreened decorative papers – I’m a big fan of earth tones and floral right now, so they make a fairly substantial appearance in what I make. I also love adding decorative elements, like a leather-band closure, a wrap-around cover with a clasp or a leather tie.


For softcover books, I use upholstery vinyl and sew right in to the fabric, so it has a great decorative spine where you can see the stitching. Each book, hardcover or softcover, takes me about 4-6 hours.


After making invitations for my sisters bachelorette party and bridal shower, it seemed inevitable that I’d make my way into making cards as well. While I do make cards that are embossed or have die-cuts, foiling is what I enjoy doing the most. I love seeing people laugh when they read them, and the foil effect really ties together the saying and the font to make a complete piece.

This will be my first year doing the Art Star Craft Bazaar in Asbury Park, and I can’t wait to meet some new friends! So swing by the Awl Jokes Aside booth and come say hi (even if you aren’t interested in handmade journals, sketchbooks or cards, I invite any and all who want to talk about dogs with open arms), and check out my website, Facebook and ‘gram. xoxo

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Upcoming Exhibition: Night Garden by Christine Lindstrom

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Night Garden by Christine Lindstrom 

May 21st – July 17th , 2016

Opening Reception: Saturday, May 21st from 6-8pm

Art Star is pleased to present a solo exhibition with Asbury Park, NJ based artist, Christine Lindstrom of Mai Autumn.  The show, titled “Night Garden” will include the artist’s latest series of watercolor and acrylic paintings. The exhibition will be on view from May 21st – July 17th 2016.  There will be an opening reception with the artist on Saturday, May 21st from 6-8pm.   The reception is free and open to the public and will include light refreshments.

Christine Lindstrom creates illustrations under the name Mai Autumn for her collection of art, stationery and surface patterns. Mainly working in watercolor and acrylic, her work takes on an ethereal quality that has been described as dreamlike. Her main inspiration stems from memories from childhood, where her afternoons were spent exploring the forest and letting her imagination form a mysterious bond with the magic of nature and the unknown. Each piece has a sense of a hidden memory that has been tucked away and not fully visible.

The artist states, “With this collection of paintings, I am attempting to capture a sense of emotions and dreams through color and form. If I could project my imagination onto a wall, I am engulfed in a summer garden at night, surrounded by the shadows of flowers, their luxurious smells, and sounds that I cannot find their origin. Each piece may either represent a dream, or the glimmers of the garden itself in the dark. Oftentimes, our minds create an interchangeable reality that is difficult to separate from the imagination. These pieces are meant to blur the lines between what is real and what is imagined.”

Christine has been painting all her life and went on to study at Savannah College of Art and Design, as well as Monmouth University, where she received her BA degree in art in 2008. Her work is sold through many national and international retailers. She previously curated the critically acclaimed handmade collective, Fey Handmade. Her illustrations have been published in the books, I Heart Stationery and The Custom Art Collection – Art for the Contemporary Home. Her curatorial and illustration work have received praise from Lucky Magazine, Real Simple, Southern Living, Dwell Magazine, and Apartment Therapy, among many other prominent publications and websites. She currently lives in Asbury Park, NJ with her beautiful one-eyed cat, Boo. This is her first solo exhibition.

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Meet The Maker: Leah Rosenwasser of ID/SW

LeahPicHello! My name is Leah, and I have a little business in formation called Independence Day. I have been toying around with making jewelry and messing with wood tools for the last decade—when I wasn’t too busy being a storytime lady/studying criminology/teaching nature/working on a paddleboat on the mighty Mississippi. This latest collaboration is with my very talented father, Bruce Rosenwasser of Shenandoah Wildwood Design. That’s where I got ID/SW.

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To be honest, the stark beauty of the wooden creations that become our jewelry is the true art of the work. I simply do my best to honor the organic and strikingly modern patterns that are present in the laminatons using sterling silver and brass, and at times incorporating gemstones.

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What makes my father’s work particularly unique is his use of reclaimed materials, literally pulled from the dumpsters of cabinet shops and furniture makers (with permission). He turns these odd scraps from the trash into precise and intricate designs, evolving into sculpture and, through this collaboration, ornament. Check out his incredible creations here.

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For my part, I simply design the jewelry pieces and solder, hammer, shape the sterling silver as necessary. I use the itty-bittiest drill bit to maintain the integrity of the woodwork as I construct earrings and necklaces. Most of the time I do this work from the porch of my little cabin in the Shenandoah Valley or in the vintage garage turned studio at Spitzer Art Center in Harrisonburg, Virginia. Recently I had the privilege of studying silversmithing and lapidary work at Ghost Ranch, in beautiful New Mexico, and I am thrilled to take this collaboration to the next level! Stay tuned for the next generation of ID/SW that will incorporate these developing skills in silverwork and lapidary.


This is my first time showing at the Art Star Craft Bazaar –and my first major craft show EVER. I could not be more excited! Please come and visit ID/SW in booth #18.

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Meet The Maker: Maris Hare of Naturalists Cabinet

Hi! I’m Maris, and I’m the creator of Naturalists Cabinet. I make nature inspired necklaces, earrings, cuff links, and tie tacks from basswood. I use wood burning pens to draw each piece by hand, and paint them with inks and liquid acrylics.


The name Naturalists Cabinet was inspired by what’s known as a cabinet of curiosities, which are showcases for nature specimens. They were very popular in the Victorian era, when people of all backgrounds were fascinated by the natural world, and would build collections to display in their homes. Most of my jewelry depicts plants, small animals, insects, reminiscent of the types of things found in a naturalist’s cabinet. I really enjoy creating pieces featuring things that a lot of people may overlook or wouldn’t think of as beautiful, like seed pods or mating slugs, to hopefully make people reconsider them from a new perspective.

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I spent my childhood playing in the woods, wading in ponds, and digging for fossils in the back yard. (We hit a layer of concrete about four feet down once, and were convinced we hit the next layer of the earth’s crust.) I went to the University of the Arts for illustration and design after considering studying biology, and most of what I make still tends to be centered around my interest in science. I’ve frequently had a hard time sticking with a specific medium or project long enough to get a good body of work started or a book finished. A changing moment for me was learning to work with this trait rather than try to force myself to be more disciplined. I realized I needed to have many different components to one piece, which led me, somehow, to the idea of making jewelry using a variety of materials and tools. After trying a number of other directions, I remembered the scroll saw and a wood burner I had as a kid, and thought it may be the perfect way to bring more drawing into the process. Also, I’ve come to the conclusion that I gravitate towards things that can permanently damage my fingers…

So a few years ago, I dug my saw out of my parents tool garage, bought a fancy adult level wood burning system, and slowly figured out the rest of the pieces. I’ve been building the collection I have today for about a year, and started showing craft events last summer. Now, I get to come up with new designs all the time, sand wood, saw, draw with hot things, paint, drill, and I actually have a reason to buy fancy papers and beads, so I haven’t gotten bored yet!

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My studio space is in the apartment I share with my husband and our bird, Turnip, in West Philly. I absolutely love having my workspace at home. I strive to run my business as earth friendly as possible. Our whole apartment is run on wind energy through a third party supplier, and all the materials I use are recycled or sustainable, including the packaging, and I use cruelty-free animal parts, a lot of which I prepare myself. (People love bringing me dead things.) And a piece of paper containing wildflower seeds is included with each box!

Since I was young, I’ve felt a responsibility to do at least my small part to contribute to wildlife protection. Part of the motivation for starting this business was to be able to donate part of my profits to environmental conservation. 10% of everything I sell is donated to an organization that corresponds to each piece. These are the Nature Conservancy, the Arbor Day Foundation, Ocean Conservancy, The Xerces Society, and Bat Conservation International. I’ve chosen these groups because they use their donations honestly and effectively, are committed to using methods based in science and research, and they work to educate and engage the communities surrounding their projects in a sensitive manner. I hope people will be inspired to learn more about conservation, and think about how they can use their own skills to help the environment, even if it doesn’t seem to be connected at first, like making jewelry.


I’m really excited to be a part of one of my favorite craft shows in Philly! Come visit me at booth #49 and geek out with me over science!

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