
Meet Jordan Perme, a Ohio based artist who creates fabulous felt taxidermy! Each piece is hand sculpted & then covered w/ colorful felt pieces. We met Jordan at last year’s Art Star Craft Bazaar where she introduced Philadelphia to her vast array of creatures. Some were free standing, but most were mounted to painted wood plaques. My husband & I snagged 2 for our home & I can’t wait to see what she brings this year. I was curious to learn more about her. Check out my interview w/ her below, as well as some photos of her working in her studio on a new piece. You can purchase her work at art star or at booth #95 at the bazaar.
-Megan
Megan: How did your idea to create your felt taxidermy come about? Did
you begin making these while you were at art school?
Jordan: I am fascinated by the famous hoaxes of showman P.T. Barnum,
sideshow trickery, curiosities, Crytozoological wonders (such as
Bigfoot and the Loch Ness Monster) and by the enthusiasts of this
study who passionately collect evidence in an effort to prove these
creature’s existence. My cumulation of interests inspired a thesis
show at the Cleveland Institute of Art where I created a Room of
Wonder for a delusional collector. Within the space there was framed
tintype documentation of the collector ‘hunting,’ a hand drawn field
guide and plenty of curious faux taxidermy creatures!
M: What is your creative process like? Do you begin w/ a sketch or
just start sculpting?
J: I do a lot of quick sketches for ideation, but I don’t think too
much about what the final product is going to look like. Once I start to
sculpt the foam, the shape changes and evolves. I will start to see a
new creature emerge and the majority of the time, it ends up looking
quite different from my original drawing.
M: How do you come up w/ ideas for your different characters?
J: Each sculpture is unique and one of a kind. I visualize existing
animals and wonder what they would look like if they had strange
features such as horns, a long snout or gangly teeth. These new
additions further distance the creatures from being a specific,
recognizable animal and also give them an other worldly appearance. I
am often asked, while showing my art at various fairs, what type of
animal a given sculpture is supposed to be. My response is usually
something like “Oh, it’s an antelope-kitty-giraffe hybrid of course!”
M: What is a typical day like for you? Do you have a day job or do
you make your art full time?
J: I am in my studio all day, every day! In addition to creating
fantastical creatures, I am also a freelance soft toy and repeat
pattern designer. I work for major toy companies to ideate new plush
concepts and produce prototypes of soft toys. I also work a lot on
the computer making graphic repeat patterns that are used to decorate
everything from plastic to fabric toy components. Working in this
industry has definitely influenced my art work, as it has become more
playful in appearance. Many people have even bought my faux taxidermy
to decorate their nurseries!
M: When did you launch your business & how has it grown over the years?
J: Upon graduating from college in 2009 I began to look for a ‘real
job.’ I found that with no industry experience, it was extremely
difficult to find any position in my field that was looking for recent
college graduates. I had dabbled in freelancing before and decided to
take a few projects here and there until I could find something more
permanent. I found that the projects that I was taking on were
incredibly rewarding and since I was able to make up my own schedule
(wake up in the afternoon, work till 4 in the morning) there was a lot
more time for me to do my own art work and keep a good studio
practice. With a normal 9-5 job, I don’t think I would be able to
travel to as many art fairs and have much time to build up stock. I
have had an Etsy site for years, but decided to relaunch the ‘Horrible
Adorables’ line again in 2010. I haven’t been doing the indie craft
thing for that long, but it has led to many great networking
opportunities and I have been getting nice feedback that has made me
feel even more secure in my pursuit of a non-traditional line of
work.
M: Where do you see yourself in the next 10 years?
J: In 10 years I would love to be able to support myself solely from
my art work and continue making the things that I love.
M: Are there any specific artists that have inspired you and your work?
J: My favorite artists are Yinka Shonibare, Kiki Smith and Yoshitomo
Nara. I am inspired by indie crafters and am on Etsy at least once a
day checking out whats new!
M: Out of all the felt sculptures that you have made, which is your favorite?
J: I get pretty attached to each sculpture after I complete it and
often times, my favorite is whatever my newest creation is! I am glad
that other people enjoy my art too, enough to purchase a piece for
themselves, otherwise I would probably hoard all of my creatures and
have an entire space as a faux-trophy room!
M: I would love to see a giant felt sculpture. Any plans on doing any
large installation pieces?
J: I would also love to make a giant felt sculpture! I’ve had it in
my head for a while to make something quite large (as big as a full
sized deer??) but I can’t seem to find the time that it would take, to
create something at that scale yet. I almost need to have a gallery
show in the works to get me moving on it!
M: Aside from having your work at art star, where else do you sell
your work? Do you have any exhibitions booked in the future?
J: I will be at the Renegade Craft Fair in Brooklyn this summer (June
11-12) and will be applying to a handful of other shows this year. I
have also been talking to a local Cleveland gallery and boutique about
having a little Horrible Adorables storefront within their space.. but
we are still discussing all the details. More on that later!
M: Any special projects on the horizon?
J: I am passionate about puppets and I would love to do some
exploration into making my creatures as marionettes and animating them
in short films. I also love vinyl artist toys. It would be so great
if some of my creatures could be produced into limited edition toys
that an even wider audience could enjoy!
M: Anything else we should know?
J: I have a lot of new horribly adorable creatures in the works.
Please stop by my booth at the Art Star Craft Bazaar to check them all
out and say hello!
Find more about Jordan & her Horrible Adorables on the following sites:
her website http://www.jordan-elise.com/
her etsy page http://www.horribleadorables.etsy.com
her blog http://horribleadorables.blogspot.com/









I am so happy to introduce Desarc, and myself to the Art Star Craft Bazaar this year. I’ll be offering jewelry, accent lights, and decorative mirrors for sale. My objective as a designer-maker is to produce useful objects that are attractive, meaningful, and well-made.
I earned my BFA from the Tyler School of Art in 2010, with a concentration in jewelry and metals. The variety of ways I learned to work metal gave me the flexibility to explore object design and craft in many directions. Making functional objects like jewelry gives me a sense of purpose when making creative decisions. I love how jewelry intrinsically deals with concepts of identity. My current line, Resist, is an expression of personal introspection. The balance between the bold and the delicate elements in the collection celebrates feminine strength in an industrial aesthetic.
In addition to jewelry, I have fallen in love with making objects for living spaces. I created the Echoes line of light fixtures (and now mirrors!) years after a summer trip to England where I saw Stonehenge and many other ancient artifacts in London’s museums. Being close to the large monuments, watching the shadow play in and off the slabs of rock, and knowing our ancestors were so compelled to respond to their world, made me feel connected with humanity and craftsmanship in a new way. The Echoes collection is my homage to mankind’s commitment to shape our world like a river though rock.
sPACYcLOUd was born in DC, from the mind of designer Tatiana Kolina (AKA Tati) with a focus towards the sui generis spirit that lives in all of us. The ethical core of sPACYcLOUd is built on self expression, love, and positivity. Its visual aesthetic breathes from the world of break dancers, hip hop artists, street artists, skaters, and motorcycle riders. Those whose wardrobe exists in a state of counter-culture, carving through life to the rhythm of their own choosing. sPACYcLOUd reflects political and social currents though clothing, artwork, and attitude.



My studio is in a giant live/work industrial loft at Western Avenue Studios & Lofts in Lowell, MA, a complex of historic mill buildings that are home to over 300 artists. Lowell was the birthplace of the American Industrial Revolution and there are dozens, maybe hundreds, of old mill buildings that have been transformed into studios, condos, schools, restaurants, and small businesses.
A lot of artists and craft hobbyists talk about their tendencies to hoard fabrics, beads, paint, pretty much any kind of supply they can get their hands on. Here at Loomination, it’s all about the yarn. I usually have about 250-300 pounds of yarn on hand, and I use it up really fast!
Every product I create is made using fabric that I have woven myself. I start with the yarn (of course!) and thread it on to my vintage handloom, a huge wooden machine that is operated by hand. It can take up to 8 hours for me to prepare the loom before the actual weaving can begin. After the fabric is woven, the next step is to wash and shrink it before sewing into the final product. The fabric shrinks A LOT, usually 15-25% for most pieces, although it depends on the fibers I’m using. Calculating shrinkage is a big part of the process.
My newest collection of tableware – tea towels, placemats, and table runners – is what I’ve mostly been working on lately. I just started making placemats a few months ago and I’m a bit obsessed with them – there are so many different color combinations that I’ve been dying to try. Most of my home textiles are inspired by vintage feed sacks and ticking fabrics, everyday designs that are timeless and classic.
I’m really excited to participate in the 



As a surface designer, the design is just as important as the color. I mainly focus on using shibori and dip-dyeing techniques in all my work. I have also worked with resists, screen and block printing. But shibori and dip-dyeing have always allowed me to create that clean minimal look that I always strive for. There is something truly beautiful about creating a pattern just by the folding and binding of fabric. Simple techniques for my simplistic designs.



We are so excited to be carrying local Philly baby/toddler line, Sweet Luka Mo! AND, Art Star will be the only brick n’ mortar shop in the area where you can find the popular eco-friendly brand!
















