Category: artist spotlight

  • ASCB Vendor Spotlight: James Singewald Photography

    James Singewald

    Did you go to art school? If so, where did you study? 
    I went to The University of the Arts(’02) in Philly for my BFA and Maryland Institute College of Art(’10) in Baltimore for my MFA.

    What types of items will you be selling at the bazaar?
    Framed/unframed photographs of Philly and Baltimore. I’ll also have a few copies of my self-published book, Old Town, East Baltimore, for sale.

    Photo by James Singewald

    What materials do you work with?For the past 4 years I’ve been shooting primarily with a 4×5 view camera and using Fujichrome Velvia slide film. I scan the chromes and print with high quality Epson printers on various types of archival paper. Most of my earlier work from Philly was shot with a 35mm Pentax K-1000 or my Hasselblad, and some 4×5 as well. I also shot mostly black and white film for my early work and more recently have switched to color.

    photo by James Singewald

    How are your items made? Describe your process.
    For the work I’ve been doing in Baltimore the past few years, photographing entire blocks and streets, light is very important. I’m documenting entire blocks by photographing each building individually or in pairs. I try to photograph buildings during the time the sun sets on them. I find that a combination of good light and the saturated color of the Velvia slide film creates a glimpse or feeling of what the mostly dilapidated buildings were and could be. It portrays a sense of history and potential. I also conduct a lot of research about the history of these places, what they looked like and used to be, why they have declined and been neglected for so long, and what the future holds for them. I plan on combining all of the photography and research in to a book or possible series. I approach this work as though I’m building an archive of city blocks as several companies and photographers did roughly 100 years ago before urban renewal and the decline most cities experienced for the past 50-60 years.

    Photo by James Singewald

    Are you able to make your work full-time?  If not, what do you do for your day job?
    I work part time at the Maryland Historical Society in the Imaging Services Department where I am responsible for the photography and digitization of items in the collection as well as fulfilling reproduction requests and permissions for patrons.

    Photo by James Singewald


    Who are some of your favorite artists?

    Camilo Jose Vergara, Harry Callahan, Bruce Davidson, Bernd & Hilla Becher, Ed Ruscha, Edward Burtynsky.

    What are you reading/listening to right now?
    Not in My Neighborhood, by Antero Pietila.
    Spaces of Hope, by David Harvey

    I’ve been listening to a lot of MF Doom, Jay Electronica, Madlib, and my usual 90s hip hop collection…

    Photo by James Singewald

    Where would you like to see yourself and your art/craft business in the next 10 years?
    Always a tough question, but I’m hoping the work I’m doing now will lead to similar projects and increased press or awareness of what I’m doing and why. I hope to have a steady balance of work and grants coming in to support my work. I’m increasingly interested in topics like urban history and planning and how you bring a devastated city like Baltimore, Philly, or Detroit back to life.

    Photo by James Singewald

     

    http://www.jsingewald.com/
    You can meet James & buy his work at this upcoming Art Star Craft Bazaar!

  • Introducing DC Ice

    We just got in some great original pieces by Minnesota based artist, DC Ice.  I was curious to learn more about her.  Check out my interview below.

    "27, A Following" by DC Ice

    Art Star: Where did you grow up?  Did you draw as a child?
    DC Ice: I grew up in Rochester, MN in an old stucco perish house on top of a hill. Surrounded by trees, exploring in my backyard and picking wild raspberries was my favorite pastime. I have always loved creating art.  One of my very first memories is of painting with my mom.

    AS: Did you go to art school? If so, what did you study?
    DC: I have a BFA degree from The College of Visual Arts. My major was illustration.

    AS: What mediums do you work with? What is your favorite?
    DC: I work with acrylic and oil paint, colored pencils, pen & I sew critters called “scary dolls.” Recently I have been enjoying drawing with razor blades on scratchboard. I constantly change up mediums which I feel keeps my art fresh.

    "My Tea Tastes Like Dirt & Old Fruit" by DC Ice

    AS: DC Ice is such a cool name! Is it your real name or do you just use it for your work?
    DC: I was born “Dawn Candace Silvernagle.” My parents never just called me “Dawn” though, they always called me “Dawn Candace.” When I went to college and introduced myself at “Dawn Candace”… well, everyone just started calling me “DC.” I married a guy named Nick ICE. Sooo, DC ICE is actually my name.

    AS:  You have illustrated 6 children’s books.  How long have you been doing that for?
    DC: My first book was published in 2006 and I have been doing it ever since.  When I was little I remember trying to copy the artwork in books I liked.  Now I get to create the real deal. Really exciting. I am currently working on a book called “Can a Pig Swim?” by Thomas Rush.

    books illustrated by DC Ice

    AS: Do you work as an illustrator full time?
    DC: I DO! And I love it. I also get to take care of my niece and nephew a couple days a week. Their little creative minds are a joy to be around.

    AS: How much does children’s book illustration inspire your own art? Have any specific illustrators influenced your work?
    DC:  I think Edward Gorey has been my biggest influence because he illustrated adult themes in a children’s book format. My art is a bit grim like his. I adore his work. Other artists that I love include Julia Pot, Owen Gent, Lizzy Stewart, Anne Faith Nicholls, Evan B. Harris… just to name a few.

    Illustration by Edward Gorey, from the Gashlycrumb Tinies

    AS: Based on the titles of your work (which are great) & the fact that you illustrate books, I feel like you must have some great stories behind each of your characters. Is this a correct assumption?
    DC: Yes, my characters definitely tell stories. The titles to my art pieces are sometimes ridiculously long though. A few works just finished this month include, “I Concur Claude, It’s a Complex Mystery”and “Greetings from the Abyss Under Your Bed.”  I like illustrating animals with human attributes because I think it is a purer way to portray feelings. I don’t want sex, race and sometimes wardrobe, to taint the onlookers view of the feelings I’m trying to portray. When using animals as a way of conveying a mood, the onlookers perception is less contaminated due to associations that people often create towards people.

    "Fresh, Oblivious & Missed" by DC Ice

    AS: You must have an Amazing imagination to come up with your subject matter.  Where do you go for inspiration? Do you keep a sketchbook?
    DC:  I am inspired by other artists and music, but mainly personal experiences and my past. I always have a sketchbook nearby and keep my old sketchbooks. It’s funny to see how my art transforms through the years.

    AS: Do you plan out a piece from start to finish or is it a more intuitive process for you?
    DC: With small pieces I just start drawing, it’s neat to see what comes to life. With larger pieces though I have an idea in mind and sketch out something really quick to figure out the composition.

    AS: What is a typical day like for you? Do you have a studio that you go to each day?
    DC: Years ago I had a studio in Minneapolis which I shared with some dear friends. These days however, I love having my studio right in my house so I can jump into my work whenever I get inspired. During art school I was told once that there are too many distractions when you have an in-home studio. I go into my art cave in the morning with a cup of coffee, turn on music, and the world fades away for me.

    "Ghostly Noises" by DC Ice

    AS: If money was not an issue, what would you be doing? Would you be focusing more on your art or would you still be illustrating? Or would you be doing something entirely different?
    DC: Illustration is my love. I consider all my art illustration, the paintings, the books, and even the scary dolls, they are 3D illustrations. I enjoy creating my art most of all but there’s something spectacular that I feel when I get handed a book in printed form. Warm fuzzies. I wouldn’t change a thing.

    AS: Any fun projects or shows in the works?
    DC: I am thrilled to have my art with you in Philly right now. This is the first time my art has seen the east.I am really excited about getting my work into Gallery 360 in Minneapolis too. That show opens on March 3rd and will be up for 6 weeks. I also have a show at Frameworks in St. Paul right now. Please visit dcice.com for more show updates and new art.

    Check out our entire collection of her work here.

  • ASCB Vendor Spotlight: Concrete Polish

    Company: Concrete Polish
    Proprietor: Angela Monaco
    http://concretepolishstudio.com/
    Jewelry Studio & Showroom: Concrete Polish
    716 N. 3rd Street, Philadelphia
    find her at booth # 3 at our upcoming art star craft bazaar!

    Art Star: Tell us a bit about your background.  Are you professionally trained in jewelry/metalsmithing?

    Angela Monaco: I grew up in Chicago and Cincinnati Ohio. I started school in Ohio studying Psychology.  This quickly made me realize that I would much rather be creating fun jewels with my hands.  I took an evening jewelry class for one of my extra credits that I needed & I instantly fell in love with metalsmithing and expecially casting!  I applied for an artist grant to build my own studio and started my quest as a jewelry designer and maker. I later transferred to the Maryland Institute College of Art to pursue my interest in Jewelry and Printmaking.  While attending M.I.C.A I took a casting class where I first started to create my line of jewelry.  I have always collected gems and minerals and had the idea to start making molds to reproduce them in bronze and silver. That idea never faded away and has become my main focus in design.

    Double Finger Quartz Knuckle Duster

    AS: What made you decide to move to Philly & open up a studio/showroom

    AM: After I lived in Baltimore a few years I decided to take a leap to a new and bigger city. I always felt a great creative energy when I visited and it was time for a change. I love this city and I think it was a perfect choice for me to start my business and open my first boutique.

    AS: What types of materials do you use?

    AM:Silver, bronze, and many types of gemstones.  I have a large collection of faceted and natural crystals. I also love chain. I mainly buy antique chain at flea markets or silver and bronze stock chain.

    AS:What is involved in the making of each piece?  Do you carve your pieces out of wax & then cast them?

    AM: I mainly design jewelry using wax. I am either carving or manipulating an organic object that I have made a mold of.  After I come up with a prototype I am happy with, I then make a mold of that and cast it in either silver or bronze.  I can plate the bronze or silver in yellow gold, rose gold, or black rhodium.  If requested I can also cast in solid gold, platinum, or rhodium but I do not keep stock in the store of those metals. I also have a wide variety of gemstones i use.  My favorite are natural amethyst points and smoky quartz.

    a piece in the works

    AS: What is your creative process like?  Do you sketch your ideas out first?

    AM: I mainly work in 3D. A lot of my designs come from playing with the different rubber molds I have made over the years.  I cut them apart and make my own formations that suit a piece of jewelry.  Over the years I have carved a few different ring bases that I re-use with different crystals on top.  For example, I make a mold for a double finger ring with my logo on it that i can use for multiple designs.

    AS: What inspired your current collection?

    AM: My current collection is inspired by the formations of raw crystal growth, like an amethyst or natural quartz crystal. Since i was a small child my Mother and I have been collecting gemstones, crystals, & all sorts of fossils.  My childhood phases never seemed to thin out and now crystals have become the main focus of my design.  I keep finding more and more creative ways to tell the story of why these forms are so attractive to me.

    Ring

    AS: How did you come up with the name Concrete Polish?  What is the story behind that?

    AM: The name Concrete Polish sprung to me one day when I was thinking about what my jewelry represents visually and emotionally.  The pieces I create have a rough and refined exterior, but with a feminine polished touch.  It is a balance of sculpture that creates an edgy yet sophisticated piece of jewelry. Concrete Polish represents that idea of balance.

    AS: Your collection seems to mostly include rings & some necklaces.  Do you have any plans to expand into earrings or other types of jewelry/accessories?

    AM: Yes, you are completely correct.  We have soo many rings here at CP.  I seem to have a small obsession with rings lately. This is of course my mothers fault :). I am working on releasing a new catalog for the spring.  There will be 10 ring designs, 3 bangles, 3 stud earrings, 3 drop earrings with chain, and about 4-5 necklaces.  I am also designing a bolo right now for a friend, which I feel will become a successful unisex piece for a future collection.  Linda Smyth of Topstich Boutique and I are also working towards collaborating on a jewelry line of Rabid Fox and Concrete Polish Jewelry.  Can’t wait!

    jewelry studio & showroom

    AS:Tell us about your storefront.  What do you carry aside from your own work?

    AM:Walking into Concrete Polish you will find a great ambiance of well crafted hand made jewelry mixed in with a warm atmosphere of antiques and taxidermy.  The alchemy-nautical inspired showroom carries all handmade jewelry – 80% of which is made right in the back of the shop and the rest at nearby studios in Philly!  There is a wall of mirrors that hangs to help separate the spaces.  Come and check out what we have made and are currently working on.

    AS:Where else do you sell your jewelry?

    AM: So far my jewelry is showcased in the following stores: Arcadia Boutique,  WERK, Topstich Boutique and our home boutique in Northern Liberties!

    jewelry studio & showroom

    AS: What can customers expect to find at your ASCB booth?

    AM: I have actually completed 3 new ring designs and a few earrings in the last 2 weeks – just in time for ASCB!!! We have been working hard here to get ready for the holiday shopping season. Much more thought has gone into the idea of gift giving.  I will have a large assortment of new necklaces, one of a kind charm bracelets, earrings with pyrtie and quartz crystals. See you soon!

  • ASCB Vendor Spotlight: Shawn Hileman

     

    photo by Chris Sembrot

    Artist: Shawn Hileman
    http://www.shawnhileman.com/indexhibit/

    Gallery/Studio Space: Masthead Print Studio
    http://mastheadprintstudio.com/

    Located In: Philadelphia
    find him at booth # 54 at our upcoming art star craft bazaar!

    Art Star: When & where did you learn silkscreen?  How long have you been doing it for?

    Shawn Hileman: I printed a bit in college but it was just a hobby. I started screenprinting on a regular basis when I opened the studio in Dec 09′. It’s been quite a ride figuring out all the kinks!

    AS: What drew you to work primarily in this medium?

    SH:I was sick of sitting at the computer all the time so this gives me the opportunity to get really hands on and test my craft skills. When you have multiple copies of a piece as well it allows everything to be able to afford custom art. No print is ever exactly the same and it’s funny because I can remember all the tiny differences on my prints that nobody will ever probably notice.

    Beirut Poster

    AS: Tell us a bit about Masthead – your studio space/home & art gallery.

    SH: Masthead started as a place where I could print and live. Then I had the first show in Feb 10′ with the NoDivision Design Syndicate. Since that was successful I starting doing more and more events. Now we usually have a show every 6 weeks with the occasional lecture or rock show. It’s a ton of work but I’ve had some great people help out with the space. Jp (Flexner) and James (Heimer) do so much for the space. Without them none of this would of been possible. They are also mind-blowing screenprinters and have taught me basically everything I know about printing (and drinking whiskey).

    AS: What other artists do you show?  Are they all printers?

    SH: We have had a ton of great artists pass through the space. Dan Knapp is always making some of my favorite pieces in each show. We had Kevin Mercer do a solo show last year that turned out amazing. Most people do screenprint their own work here, which is awesome. I have been trying to get more non-printers in and teach them. That way it would give the opportunity for more painters, illustrators, and designers to learn the process.

    AS:Do you do design work / print for other companies/individuals?

    SH:I work a lot with Urban Outfitters and some other ad agencies doing design work and usually do a good amount of print jobs for other people.

    Neol Gallagher Poster

    AS: Are there any particular printers or artists in general that have inspired your work?

    SH:Definitely Erik Hamline of Steady Print Co. in Minneapolis. His style is really versatile and always top notch. Tim Gough has been a favorite of mine since I was in school. Steve Speir has been honing his style lately and just cranking out sick work as well.

    AS: What is your creative process like?  Do you sketch or do you work directly on the computer?

    SH: I have to dwell over the concept before I start sketching and digitizing. Once I have that down, I sketch out the layouts and then scan in the elements. I do a lot on the computer and this is why you should make your scanner your best friend.

    AS: Where do you see yourself and/or Masthead in the next 5 years?

    SH: Oh man, this is a hard one. I was just planning everything around 2012! I would like to keep doing freelance and screenprinting, but we’ll see. I would like to check out some other parts of the world like London and Australia.

    Ride Away With Me, limited edition print

    AS: Aside from your etsy shop & Art Star (and Masthead of course) where do you sell your prints?

    SH: I actually just sent some prints to Little Paper Planes in California. I get a lot of purchases from the UK which is great that people are seeing my work overseas.

    AS: What can customers expect to find at your ascb booth?

    SH: I have a good mix of abstract, commercial and music posters. Maybe a pinata as well. Just don’t come by during siesta time.

    AS: Any fun/exciting projects in the works?

    SH: I finished some packaging for the Yards Brewing Company last week and a couple of music posters. I am also working on some branding for a film company in New York City.

     

  • ASCB Vendor Spotlight: Miss Millie

    Melissa Crotty working in her studio (with her dog!)

    Company: Miss Millie
    Proprietor: Melissa Crotty
    Located In: Philadelphia
    http://shopmissmillie.blogspot.com/

    Art Star: How did you learn your craft? Are you formally trained in ceramics or are you self taught?

    Melissa Crotty: I started working with clay through an apprenticeship about 12 years ago. I worked with a woman in Western New York who in trade for working in her studio taught me how to throw. She was an inspiration and a mentor. She really pushed me to study the arts even further. I wasn’t totally convinced on going to a 4 year art school right away so I enrolled in CCP and traveled a bit doing workshops at places like Penland School of Crafts and Anderson Ranch. Eventually, I landed at Alfred University where I received a BFA in sculpture in 2005.

    Duck Bud Vase by Miss Millie

    AS: What drew you to working primarily in porcelain?

    MC: I’ve worked in a lot of different materials and a lot of different clay bodies. I like porcelain because I apparently really like a challenge and I love the way it feels in your hands. I also love the way color pops on and next to the stark white of the raw clay body.

    AS: When did you start your business?  Do you work on Miss Millie full time?

    MC: I’ve dabbled in craft shows for the last few years but really started taking my business to new levels this last year, doing more shows and gearing up for more wholesale. I work on Miss Millie pretty much all the time but I also waitress a few days a week.

    Miss Millie's Studio

    AS: Where do you work on Miss Millie?  Do you have a separate studio?

    MC: I have a studio at 13th and Carpenter. We have a great community of artists in the building. We do craft shows there twice a year called The South Philly Handmade Brigade.

    AS: Do you have any employees/interns?

    MC: I do not have any employees but I might take on an intern next semester. I could really use some help but I’m somewhat of a control freak so I’m going to have to figure out what I can have someone else do.

    Bowl & Tumbler by Miss Millie

    AS: I went to school for ceramics myself, so I know that there are many steps involved in creating each of your pieces.  Tell us a bit about how your work is made.

    MC: I start out slip casting lots of parts (heads, legs, arms, bugs, animals, flowers, ect.) and put them in a wet box so I can use them later. I then roll out slabs and build forms such as mugs, bowls, vases, tumblers and cups. Then comes the really fun part, assembling and designing what goes on the forms. Like a collage process I take a form and add some cast pieces and then maybe more pieces and then possibly a drawing. Then they dry for about 2 weeks. They are fired once I apply glaze & then they are fired again and are finished (unless I’m adding a decal – then they are fired a third time).

    AS: What is your creative process like?   Do you start with a sketch/plan or is it more of an intuitive process?

    MC: I start out with an idea of what form and then the additions and drawings are intuitive. It’s really fun for me that way because I’m never exactly sure what I’ll come up with.

    Flower Earrings by Miss Millie

    AS: What are some things that inspire you?

    MC: My inspiration comes from so many places like nature, traveling, architecture, food, people, animals, dance, music and seeing other artist’s work. I also really love vintage dolls and I’m totally fascinated by the people who collect them. When I was younger my great aunt was a collector of clowns and I really loved going to her house even though the dolls were kind of bizarre. I’ve been thinking of her collections a lot lately and feel like this doll series is inspired by her.

    AS: Who are some of your favorite artists/crafters?

    MC: Oh man this is a hard one because there are so many. Off the top of my head… Frida Kahlo, Bansky, and Nick Cave (the fabric artist, not the musician, although I do love the musician also.) There are so many amazing crafters in this city. I really love Peg and Awl, Bloodmilk, madebyhank, Dahling Accessories, girls can tell, DMT Design, Fabric Horse and Volta Organics to name a few.

    Girl Vase by Miss Millie

    AS: There are many different kinds of pieces in your collection – mugs, bowls, vases, lanterns, jewelry, pill boxes, herb markers, etc.  Do you have any new forms in the works?

    MC: Yes I have dessert plates, salt and pepper shakers and soap dishes that are new. Oh and some new jewelry!

    AS: Where do you see Miss Millie in the next 5 years?

    MC: In five years I hope to be running smoothly doing mostly wholesale with a few employees, always working on new designs and hopefully in a warmer climate.

    Boots Tumbler by Miss Millie

    AS: What do you enjoy the most about running your own creative business?

    MC: I can bring my dog to work!

    AS: What will you be selling at the upcoming ascb?

    MC: I’m going to have new jewelry and some new ornaments. I’m also working on some packaging for gift ideas, which I’m really excited about.

     

  • ASCB Vendor Spotlight: Kaye Rachelle

     

    the ladies behind Kaye Rachelle; Susan (L) & Bonnie (R)

    Company: Kaye Rachelle
    Proprietors: Bonnie Kaye Whitfield + Susan R. Dreifuss
    Located In: Philadelphia / New Jersey
    http://www.kayerachelledesigns.com

    Art Star: Tell us a little bit about yourselves.  What are your backgrounds & how did you two meet?  When did you decide to transition your art making into a business?

    Kaye Rachelle: We met at Pratt Institute in Brooklyn, NY in 2008 as MFA candidates in Printmaking.  We were studiomates, busy focusing on our independent work.  But within the next year, we were asked to collaborate as designers & printers for a special Pratt project – we designed & screen printed all the home textiles for two showroom apartments at 3rd + Bond Apartments in Carroll Gardens, Brooklyn.  We had never before screen-printed on fabric – and it rocked our world.  Custom orders started rolling in from our friends and family.  After getting entrepreneurial advice live on Fox Business News just days before graduation, we dove forward & have yet to look back.

    Autumn Morning Cloth Napkin

    AS: Are you able to focus on Kaye Rachelle full time or do you have day jobs?

    KR: While Kaye Rachelle certainly feels like a full time job for both of us, we have day jobs, too. Bonnie is a teaching artist for the Mural Arts Program, and Susan teaches art classes for a non-profit organization in NJ.

    Cloth Napkins

    AS: Do you both work on all aspects of the business, or do you each have specific jobs that you focus on?

    KR: We collaborate from start to finish but we do have specific tasks.  We live about two hours apart, so we are constantly communicating via g-chat and email.  Primarily, Susan is in charge of inventory, printing fabrics, & research, whereas Bonnie sews & works on daily communication, such as emails, Etsy posting, & social media.

    Bonnie & Susan in the studio

    AS: What is your creative process like?  Do you fully plan out a piece from start to finish?

    KR: Our goal is to release a new batch of designs twice a year, with other special & custom design projects in between.  After deciding on a main theme & creating an inspiration board, we then work individually to come up with a variety of designs.  From manipulating photographs we have shot to scanning in drawings, we pull imagery from our daily inspiration.  Together, we choose & polish the designs that are the strongest and most complimentary to one another.  Lastly, we select our seasonal color palette.  We like the idea of customers being able to pick a product, design, & color that fits perfectly with the aesthetic of their home.

    AS: What types of items can we find in your collection?

    KR: Our collection includes screen-printed pillows, placemats, table runners, cloth napkins, tea towels, wall organizers, market totes, cocktail napkins and small prints on paper.

    Fire Escape Pillow

    AS: What are some of the inspirations for your collection?

    KR: Our latest line (Fall 2011/Winter 2012) is called Transported.  It consists of a collection of prints inspired by travel and transportation, such as crosswalks, traffic lights, bicycles & Philly’s 30th Street Station.

    AS: Where do you hope to see Kaye Rachelle in the next 5 years?

    KR: We hope to be in a variety of retail locations nationwide and to eventually open our own space.  Our goal is to find a location where we can print, teach, sell, eat & entertain. (We are both avid cooks!)

    Tea Towel

    AS: Do you have any new products in the works?

    KR: Yes! We are currently working on wine totes, aprons, and Philadelphia-inspired recipe cards.

    AS: Aside from the Art Star Craft Bazaar (and soon Art Star!) where can
    customers find your work?

    KR: In Philadelphia, our products can be found at COOK, SquarePeg Artery & Salvage, and Lodge215.  We also sell at Clover Market in Ardmore, PA, and will be at the Crafty Balboa Holiday Market on Sat. Dec 17th at the Broad St. Ministry.  We also have products at Teich in the West Village, NYC.  Last and not least, you can find our latest creations on Etsy, at www.KayeRachelle.Etsy.com.

    AS: What can customers expect to see in your ASCB booth?

    KR: From floursack tea towels to linen throw pillows, expect to see a cozy array of our screen-printed textiles, ready to wrap up as gifts.  We will also have hostess gift bundles, a sweet way to say thanks to your holiday hosts.

    Visit Kaye Rachelle at Booth # 10 at our upcoming Art Star Craft Bazaar

     

  • ASCB Vendor Spotlight: Meerwiibli

     

    Snow Gazer Winter Coat

    Company: Meerwiibli
    Proprietor: Sarah-Maria Vischer
    Located In: Phoenicia, NY
    http://www.sarahmariavischer.com

    Art Star: When did you first learn to sew?  Are you professionally trained or self taught?

    Sarah-Maria Vischer: I’m mostly self taught, though I did get some sewing and other crafting skills in elementary and middle school – they were considered important parts of education in Switzerland (at least for the girls). My mom also helped me enormously and then I took some pattern making and draping classes in the past few years. One must have the technique to deliver the quality…

    AS: You were born & raised in Switzerland.  What made you decide to move to the US?

    SMV: I always felt that Switzerland wasn’t quite my place in the world. When I got the opportunity to be an exchange student in the U.S., I ran and never looked back…

    AS: When did your craft turn into a business?

    SMV: I started selling a couple of years ago in a small shop in Woodstock. The store is no longer there, but the love of seeing other people wear my creations stayed.

    Zig-Zag Dress

    AS: Where does the name Meerwiibli come from?

    SMV: Meerwiibli means mermaid in Swiss-German – it’s been the name I’ve sewn onto my clothes for many years now. My family crest is the two-tailed mermaid I use as my logo, I love that she has the two tails – it’s so much more powerful (though I do love all mermaids).

    AS: I love the way you combine textures, colors, & pattern in each of your pieces.  What inspires your clothing designs?  Do you follow fashion trends at all?

    SMV: My day job is working at a photo agency where we have huge historical archives. I find a lot of inspirations browsing through those images, though the biggest inspiration for me are the fabrics. Once I hold them in my hand, the creations start to emerge.

    Orange Knit Sweater Dress

    AS: Tell us a bit about your creative process. Do you plan out each piece from the start?  Do you work from a sketch?

    SMV: I rarely sketch. I’m not very secure with my drawing abilities! I visualize everything in my head or sometimes just start draping the fabric on my dress form and see where it takes me.

    AS: You are also a photographer.  Do you shoot all the photos of the clothing?   Is your photography another side business?

    SMV: I used to take self-portraits in all my designs. I love that my little line has let me live all my daydreams and use the many skills I’ve acquired throughout my life. I get to be a fashion designer, seamstress, graphic designer, model, photographer, etc. Though now, since I’m so busy making the clothes themselves, most of the photos of my clothing are taken by other photographers, though I still model them myself.

    Striped Hoodie

    AS: Do you work on Meerwiibli full time or do you have a day job?

    SMV: My line has begun demanding more and more of my time. I do have a day job, but fortunately I’ve been able to cut back a bit. Soon I hope to be able to spend even more time working on my clothing line. I do love having the balance between the two jobs though. I enjoy going to the office and working with a cool team. I’m a photo researcher in my other life, which is a nice job. I get to look at images all day.

    AS: Aside from Art Star, where can we purchase your clothes.

    SMV: Well, at the moment there really is just my Etsy shop (meerwiibli.etsy.com). Art Star has been such an amazing experience that it’s hard to find other stores that live up to it. But I am working on securing additional outlets. I’ve just finished my Spring/Summer 2012 collection and I’m shopping it around quite a bit.

    Alpine Muff

    AS: What will we see at your ASCB booth?

    SMV: All your favorites and some new items too (hello scalloped hoodie!). I will have belts, hats and fuzzy muffs, as well as winter coats and lots of cozy and elegant and colorful clothes.

    Sarah-Maria roaming Zurich

    Find Meerwiibli at Booth #41 at our upcoming Art Star Craft Bazaar
    View her collection at Art Star

  • ASCB Vendor Spotlight: Diamond Tooth Taxidermy

    I have decided to spotlight some of the vendors that will be included in our upcoming Holiday Art Star Craft Bazaar.  The first in the series is an interview with Beth Beverly from Diamond Tooth Taxidermy.  Keep checking our blog for more interviews leading up to the bazaar.  I hope to post a new one a few times a week.  Enjoy!

    Company: Diamond Tooth Taxidermy
    Proprietor: Beth Beverly
    Located In: Philadelphia, PA
    http://diamondtoothtaxidermy.com

    Art Star:When I first met you, we were at Tyler School of Art together & you majored in jewelry/metals there.  How/when did you transition into taxidermy?

    Beth Beverly: I’ve always incorporated natural fibers into my work, and while studying at Tyler I attempted to continue this ( to varying degrees of success ) using fur, hair and leather in some pieces.  While I adore all things metal, in the end it wasn’t such a good fit for me and I spent the next ten years dabbling in a crude sort of self-taught taxidermy before listening to my heart and making the decision to fully jump into the craft.

    AS: Does your jewelry/metals background inform your current work?

    BB:I was working on a brooch today wishing I still had access to that metals studio! (sigh…) There are many times when I would like to incorporate metal fabrication into the structure of a piece.  Lucky for me, I have friends like Maria Eife who have properly equipped studios and enough patience to assist me in realizing my designs.  Ultimately I’d like to have a skilled jeweler on hire to fabricate structures for me so I don’t have to divert my focus from the taxidermy.  To me, there isn’t much quite so striking as the look of sleek, shiny metal against deep, rich fur or feathers.

    AS: Tell us a bit about the types of items that you make.  Do you mostly work on custom orders or do you have a specific line of items that you offer for sale?

    BB: Just about everything I make is wearable.  I do custom sculptural pieces as well but my passion lies in headgear.  I do sell items from my etsy shop, but most of the income I draw from my art is from custom orders.  I seem to have a knack for understanding what a client wants; and I really appreciate the trust they have in me.   Aside from that, I am constantly creating hats for events and competitions that wind up on my site for sale or rent, to whomever’s fancy they may strike.

    AS: How do you find all of the animals that you work with?

    BB: I make a point of stressing to inquiring minds (especially those on the fence about taxidermy) that I source all my specimen as ethically as possible.  This means using roadkill when legal, domestic pets, anything which has expired naturally, or buying hunted game from my local butcher.  I just adore Sonny D’angelo on 9th street, he’s an absolute peach and gets me some choice rabbits, pheasants and quail, which I skin and then make delicious meals out of.  I also buy squirrels and starlings from hunting taxidermy buddies, the meat of which goes into cat food.

    AS: What is the most interesting or weirdest thing someone has commissioned you to make?

    BB: Right this moment I am working on a cat for my #1 client.  It was her pet, and she loved this creature dearly.  I am well aware of the mixed feelings that go along with preserving pets, and I understand both sides.  I see it as an honor and a challenge though, and as a lifelong cat person this has been the most emotionally stirring project for me yet.  It’s nowhere near done; thankfully she is a very patient client because I refuse to rush these things.

    AS: Are you able to focus on Diamond Tooth full time or do you have a day job?

    BB: I moonlight as a performer at local events; you may have seen me twirling in my hoop as an aerialist or perhaps I have even poured your champagne while hanging upside down from a large chandelier rig. I also work as a warranty technician on cruise ships.  The list goes on but for the sake of time lets just say I’m a hustler.  My goal is to support myself off Diamond Tooth but I never want to stop performing.  I think it keeps one healthy to have each hand in a couple different pots, so to speak.

    Beth Beverly

    AS: Do you have any interns/employees?

    BB: I would LOVE to have a personal assistant and some nimble fingered crafters on my team, but at this time I am flying solo.  When I open up my storefront perhaps I’ll be ready to employ someone.

    AS: Where do you see Diamond Tooth in the next few years?

    BB: On the head of every stylish woman from Montauk to Bangkok.

    AS: What can shoppers expect to see at your table at our upcoming bazaar?

    BB: Shoppers are in for a treat; I’m sharing a space with Maria Eife and we are having a ball designing the displays.  My inventory will consist of many feathered combs like the ones seen on my etsy shop, brooches, jawbone earrings, fur bangle bracelets and some higher end pieces like one of a kind hats and fascinators.

    Want to learn more about Diamond Tooth?  Visit Beth’s blog and check out these great videos of her at work in her studio.
    Video 1 (Beth makes a rooster headpiece)
    Video 2 (Beth makes a bear skin rug)

  • An Interview with Ryan Myers

    We asked Art Star artist, Ryan Myers, to create an exclusive piece for us & I love what he came up with: Naptime Was His Kryptonite, oil on canvas (below). The original can be purchased for $350 or you can pick up an archival pigment print for just $25!

    "Naptime was his Kryptonite", oil on canvas

    I thought this would be a great opportunity to highlight Ryan & his work! Check out my interview with him below.

    What is your art background? Where did you study?
    Art has always sort of been part of my life. I can’t think of a time growing up where I wasn’t at the very least drawing. I have a degree in illustration and art history from Hartford Art School in Ct..

    How long have you been painting?
    I started painting in college. I got serious about showing my work the way it looks now in about 2004.

    Have you always painted children? How much of your own childhood inspires this imagery?
    I definitely haven’t always painted children. I came out of art school content on being an editorial illustrator, so my work was focused on whatever the job required. There wasn’t a lot of personal work then. I am not sure there’s a lot of my childhood in the kids I paint now, but obviously all my experiences help inform the paintings.

    "Adoration of the Snozzwanger", oil on wood

    The way that you draw the children & the overall color palette is very cute & sweet, but I get a deep sense of sadness & loneliness when looking at your work. I am assuming that is intentional? Do you have back stories for these children? I am curious why they are so sad.
    This is a tough question with a few parts, so I’ll do my best to tie this one up with a nice little bow. The cute and sweet colors matched against the feelings of sadness and loneliness are definitely intentional. To use a loaded art word it’s basically for the juxtaposition of the emotions. I don’t typically think of the kids as sad. There are some of the teary-eyed exceptions, more typically though I like to think they are just completely indifferent to everything going on around them. They may not be happy, but that doesn’t necessarily mean they are sad. I feel like much more emotion can be attached to a non-smiling face. Obviously I have some sense of a story when I begin work, but they don’t really have back stories. I like to include just enough in the paintings to hint at a back story, but leave the scene open to interpretation. The viewers are interrupting something that’s going on in the painting and it’s their job to figure out what.

    How much of the work is autobiographical? I notice that your dog makes a bunch of appearances with a little boy, which makes me wonder if that little boy is supposed to be you.
    I wouldn’t say that the little boys are me beyond the dark hair and eyes. I use some aspects of my daily life to inform some of the symbols and elements that reoccur in my paintings. It’s more like a familiarity that I am comfortable with, like keepsakes in a curio cabinet, than an autobiography.

    "The House Call", oil on canvas

    You are a father with two small children now, correct? How much is your imagery inspired by them?
    Yes that’s right, I’m blessed with two beautiful children. I’m not sure that they themselves inspire my imagery, it’s more like their stuff does. The tiny clothes and toys usually give me a good jumping off point. Having two big eyed models at my disposal certainly helps though.

     

    What is your artistic process like? Do you begin with an emotion / story & then go from there?
    I’ve never been really good at explaining the process, but I can give it a go. I really always start off with an idea that makes me laugh – it’s sort of strange to say that though considering people so often speak of the sadness or haunting feelings of the paintings. For a long time I came up with the titles for paintings first and then worked out an image to suit. Occasionally I still do that, but more typically now I’ll get myself in the mood to work with music and depending what I am working on I’ll either start a drawing on paper or work things out right on the canvas.

    Are there any particular artists that you are inspired by?
    Inspiration is a funny thing… I feel like I am probably more inspired by Pee Wee Herman or something than another artist, but there are a few artists I really enjoy who have probably helped me towards my style. Artists like Giorgio de Chirico and Magritte really did a lot for the weird stillness I use in my paintings. I have got a few others, but I can’t give away all my secrets. Contemporarily though, I really like artists who work graphically, Toki Doki (Simone Legno) comes to mind first.

    Do you paint full time? If not, what do you do for a day job?
    I don’t actually paint full time. I work for the Post Office and am one of those rare people who really enjoys their job.

    Any upcoming shows on the horizon?
    I do have a few things lined up for the future – some I can’t talk about yet, but coming up soon I’m going to have a few pieces in a group show in Santa Fe.

    What are you working on right now?
    It always feels like I am juggling a few things. Right now I am working on some new types of images, but I’ve got a backlog of canvases that I’ve been working on in my studio for a while that I will try and wrap up soon. I also have some private commissions as well as some fun give away plans in the works.

    Check out our collection of Ryan’s paintings & drawings
    visit his website

  • New Artist: Adam Smith

    "First American" silkscreen print by Adam Smith

    We would like to welcome Adam Smith to our growing list of artists – we are thrilled to be carrying his work!  Adam is a Philadelphia artist, designer, illustrator & silkscreen printer. We learned about his work after he applied to our summer craft bazaar. We now have a good selection of his Men’s T-shirts, prints, & original paintings in the shop.  All of his work is very affordable. It is hard to find an actual silkscreen printer these days – especially one as talented as Adam. What impresses me the most about him is that he designs & hand draws all of his own lettering.

    "The Floorboards Hide Secrets" Silkscreen by Adam Smith

    Aesthetically, we tend to be a bit on the more feminine side here at Art Star, so we are always trying really hard to look for an artist that will appeal to guys as well.  I think Adam fits that bill, as evidenced by the fact that almost every man in my life purchased an item from him at our last bazaar.   I hope you enjoy his work as much as we do.

    "Going Home" acrylic painting on found wood by Adam Smith

    Check out this really great interview that Gallery Up did w/ Adam
    View his entire collection on our site

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