Category: interviews

  • ASCB Vendor Spotlight: Shawn Hileman

     

    photo by Chris Sembrot

    Artist: Shawn Hileman
    http://www.shawnhileman.com/indexhibit/

    Gallery/Studio Space: Masthead Print Studio
    http://mastheadprintstudio.com/

    Located In: Philadelphia
    find him at booth # 54 at our upcoming art star craft bazaar!

    Art Star: When & where did you learn silkscreen?  How long have you been doing it for?

    Shawn Hileman: I printed a bit in college but it was just a hobby. I started screenprinting on a regular basis when I opened the studio in Dec 09′. It’s been quite a ride figuring out all the kinks!

    AS: What drew you to work primarily in this medium?

    SH:I was sick of sitting at the computer all the time so this gives me the opportunity to get really hands on and test my craft skills. When you have multiple copies of a piece as well it allows everything to be able to afford custom art. No print is ever exactly the same and it’s funny because I can remember all the tiny differences on my prints that nobody will ever probably notice.

    Beirut Poster

    AS: Tell us a bit about Masthead – your studio space/home & art gallery.

    SH: Masthead started as a place where I could print and live. Then I had the first show in Feb 10′ with the NoDivision Design Syndicate. Since that was successful I starting doing more and more events. Now we usually have a show every 6 weeks with the occasional lecture or rock show. It’s a ton of work but I’ve had some great people help out with the space. Jp (Flexner) and James (Heimer) do so much for the space. Without them none of this would of been possible. They are also mind-blowing screenprinters and have taught me basically everything I know about printing (and drinking whiskey).

    AS: What other artists do you show?  Are they all printers?

    SH: We have had a ton of great artists pass through the space. Dan Knapp is always making some of my favorite pieces in each show. We had Kevin Mercer do a solo show last year that turned out amazing. Most people do screenprint their own work here, which is awesome. I have been trying to get more non-printers in and teach them. That way it would give the opportunity for more painters, illustrators, and designers to learn the process.

    AS:Do you do design work / print for other companies/individuals?

    SH:I work a lot with Urban Outfitters and some other ad agencies doing design work and usually do a good amount of print jobs for other people.

    Neol Gallagher Poster

    AS: Are there any particular printers or artists in general that have inspired your work?

    SH:Definitely Erik Hamline of Steady Print Co. in Minneapolis. His style is really versatile and always top notch. Tim Gough has been a favorite of mine since I was in school. Steve Speir has been honing his style lately and just cranking out sick work as well.

    AS: What is your creative process like?  Do you sketch or do you work directly on the computer?

    SH: I have to dwell over the concept before I start sketching and digitizing. Once I have that down, I sketch out the layouts and then scan in the elements. I do a lot on the computer and this is why you should make your scanner your best friend.

    AS: Where do you see yourself and/or Masthead in the next 5 years?

    SH: Oh man, this is a hard one. I was just planning everything around 2012! I would like to keep doing freelance and screenprinting, but we’ll see. I would like to check out some other parts of the world like London and Australia.

    Ride Away With Me, limited edition print

    AS: Aside from your etsy shop & Art Star (and Masthead of course) where do you sell your prints?

    SH: I actually just sent some prints to Little Paper Planes in California. I get a lot of purchases from the UK which is great that people are seeing my work overseas.

    AS: What can customers expect to find at your ascb booth?

    SH: I have a good mix of abstract, commercial and music posters. Maybe a pinata as well. Just don’t come by during siesta time.

    AS: Any fun/exciting projects in the works?

    SH: I finished some packaging for the Yards Brewing Company last week and a couple of music posters. I am also working on some branding for a film company in New York City.

     

  • ASCB Vendor Spotlight: Miss Millie

    Melissa Crotty working in her studio (with her dog!)

    Company: Miss Millie
    Proprietor: Melissa Crotty
    Located In: Philadelphia
    http://shopmissmillie.blogspot.com/

    Art Star: How did you learn your craft? Are you formally trained in ceramics or are you self taught?

    Melissa Crotty: I started working with clay through an apprenticeship about 12 years ago. I worked with a woman in Western New York who in trade for working in her studio taught me how to throw. She was an inspiration and a mentor. She really pushed me to study the arts even further. I wasn’t totally convinced on going to a 4 year art school right away so I enrolled in CCP and traveled a bit doing workshops at places like Penland School of Crafts and Anderson Ranch. Eventually, I landed at Alfred University where I received a BFA in sculpture in 2005.

    Duck Bud Vase by Miss Millie

    AS: What drew you to working primarily in porcelain?

    MC: I’ve worked in a lot of different materials and a lot of different clay bodies. I like porcelain because I apparently really like a challenge and I love the way it feels in your hands. I also love the way color pops on and next to the stark white of the raw clay body.

    AS: When did you start your business?  Do you work on Miss Millie full time?

    MC: I’ve dabbled in craft shows for the last few years but really started taking my business to new levels this last year, doing more shows and gearing up for more wholesale. I work on Miss Millie pretty much all the time but I also waitress a few days a week.

    Miss Millie's Studio

    AS: Where do you work on Miss Millie?  Do you have a separate studio?

    MC: I have a studio at 13th and Carpenter. We have a great community of artists in the building. We do craft shows there twice a year called The South Philly Handmade Brigade.

    AS: Do you have any employees/interns?

    MC: I do not have any employees but I might take on an intern next semester. I could really use some help but I’m somewhat of a control freak so I’m going to have to figure out what I can have someone else do.

    Bowl & Tumbler by Miss Millie

    AS: I went to school for ceramics myself, so I know that there are many steps involved in creating each of your pieces.  Tell us a bit about how your work is made.

    MC: I start out slip casting lots of parts (heads, legs, arms, bugs, animals, flowers, ect.) and put them in a wet box so I can use them later. I then roll out slabs and build forms such as mugs, bowls, vases, tumblers and cups. Then comes the really fun part, assembling and designing what goes on the forms. Like a collage process I take a form and add some cast pieces and then maybe more pieces and then possibly a drawing. Then they dry for about 2 weeks. They are fired once I apply glaze & then they are fired again and are finished (unless I’m adding a decal – then they are fired a third time).

    AS: What is your creative process like?   Do you start with a sketch/plan or is it more of an intuitive process?

    MC: I start out with an idea of what form and then the additions and drawings are intuitive. It’s really fun for me that way because I’m never exactly sure what I’ll come up with.

    Flower Earrings by Miss Millie

    AS: What are some things that inspire you?

    MC: My inspiration comes from so many places like nature, traveling, architecture, food, people, animals, dance, music and seeing other artist’s work. I also really love vintage dolls and I’m totally fascinated by the people who collect them. When I was younger my great aunt was a collector of clowns and I really loved going to her house even though the dolls were kind of bizarre. I’ve been thinking of her collections a lot lately and feel like this doll series is inspired by her.

    AS: Who are some of your favorite artists/crafters?

    MC: Oh man this is a hard one because there are so many. Off the top of my head… Frida Kahlo, Bansky, and Nick Cave (the fabric artist, not the musician, although I do love the musician also.) There are so many amazing crafters in this city. I really love Peg and Awl, Bloodmilk, madebyhank, Dahling Accessories, girls can tell, DMT Design, Fabric Horse and Volta Organics to name a few.

    Girl Vase by Miss Millie

    AS: There are many different kinds of pieces in your collection – mugs, bowls, vases, lanterns, jewelry, pill boxes, herb markers, etc.  Do you have any new forms in the works?

    MC: Yes I have dessert plates, salt and pepper shakers and soap dishes that are new. Oh and some new jewelry!

    AS: Where do you see Miss Millie in the next 5 years?

    MC: In five years I hope to be running smoothly doing mostly wholesale with a few employees, always working on new designs and hopefully in a warmer climate.

    Boots Tumbler by Miss Millie

    AS: What do you enjoy the most about running your own creative business?

    MC: I can bring my dog to work!

    AS: What will you be selling at the upcoming ascb?

    MC: I’m going to have new jewelry and some new ornaments. I’m also working on some packaging for gift ideas, which I’m really excited about.

     

  • ASCB Vendor Spotlight: Kaye Rachelle

     

    the ladies behind Kaye Rachelle; Susan (L) & Bonnie (R)

    Company: Kaye Rachelle
    Proprietors: Bonnie Kaye Whitfield + Susan R. Dreifuss
    Located In: Philadelphia / New Jersey
    http://www.kayerachelledesigns.com

    Art Star: Tell us a little bit about yourselves.  What are your backgrounds & how did you two meet?  When did you decide to transition your art making into a business?

    Kaye Rachelle: We met at Pratt Institute in Brooklyn, NY in 2008 as MFA candidates in Printmaking.  We were studiomates, busy focusing on our independent work.  But within the next year, we were asked to collaborate as designers & printers for a special Pratt project – we designed & screen printed all the home textiles for two showroom apartments at 3rd + Bond Apartments in Carroll Gardens, Brooklyn.  We had never before screen-printed on fabric – and it rocked our world.  Custom orders started rolling in from our friends and family.  After getting entrepreneurial advice live on Fox Business News just days before graduation, we dove forward & have yet to look back.

    Autumn Morning Cloth Napkin

    AS: Are you able to focus on Kaye Rachelle full time or do you have day jobs?

    KR: While Kaye Rachelle certainly feels like a full time job for both of us, we have day jobs, too. Bonnie is a teaching artist for the Mural Arts Program, and Susan teaches art classes for a non-profit organization in NJ.

    Cloth Napkins

    AS: Do you both work on all aspects of the business, or do you each have specific jobs that you focus on?

    KR: We collaborate from start to finish but we do have specific tasks.  We live about two hours apart, so we are constantly communicating via g-chat and email.  Primarily, Susan is in charge of inventory, printing fabrics, & research, whereas Bonnie sews & works on daily communication, such as emails, Etsy posting, & social media.

    Bonnie & Susan in the studio

    AS: What is your creative process like?  Do you fully plan out a piece from start to finish?

    KR: Our goal is to release a new batch of designs twice a year, with other special & custom design projects in between.  After deciding on a main theme & creating an inspiration board, we then work individually to come up with a variety of designs.  From manipulating photographs we have shot to scanning in drawings, we pull imagery from our daily inspiration.  Together, we choose & polish the designs that are the strongest and most complimentary to one another.  Lastly, we select our seasonal color palette.  We like the idea of customers being able to pick a product, design, & color that fits perfectly with the aesthetic of their home.

    AS: What types of items can we find in your collection?

    KR: Our collection includes screen-printed pillows, placemats, table runners, cloth napkins, tea towels, wall organizers, market totes, cocktail napkins and small prints on paper.

    Fire Escape Pillow

    AS: What are some of the inspirations for your collection?

    KR: Our latest line (Fall 2011/Winter 2012) is called Transported.  It consists of a collection of prints inspired by travel and transportation, such as crosswalks, traffic lights, bicycles & Philly’s 30th Street Station.

    AS: Where do you hope to see Kaye Rachelle in the next 5 years?

    KR: We hope to be in a variety of retail locations nationwide and to eventually open our own space.  Our goal is to find a location where we can print, teach, sell, eat & entertain. (We are both avid cooks!)

    Tea Towel

    AS: Do you have any new products in the works?

    KR: Yes! We are currently working on wine totes, aprons, and Philadelphia-inspired recipe cards.

    AS: Aside from the Art Star Craft Bazaar (and soon Art Star!) where can
    customers find your work?

    KR: In Philadelphia, our products can be found at COOK, SquarePeg Artery & Salvage, and Lodge215.  We also sell at Clover Market in Ardmore, PA, and will be at the Crafty Balboa Holiday Market on Sat. Dec 17th at the Broad St. Ministry.  We also have products at Teich in the West Village, NYC.  Last and not least, you can find our latest creations on Etsy, at www.KayeRachelle.Etsy.com.

    AS: What can customers expect to see in your ASCB booth?

    KR: From floursack tea towels to linen throw pillows, expect to see a cozy array of our screen-printed textiles, ready to wrap up as gifts.  We will also have hostess gift bundles, a sweet way to say thanks to your holiday hosts.

    Visit Kaye Rachelle at Booth # 10 at our upcoming Art Star Craft Bazaar

     

  • ASCB Vendor Spotlight: Meerwiibli

     

    Snow Gazer Winter Coat

    Company: Meerwiibli
    Proprietor: Sarah-Maria Vischer
    Located In: Phoenicia, NY
    http://www.sarahmariavischer.com

    Art Star: When did you first learn to sew?  Are you professionally trained or self taught?

    Sarah-Maria Vischer: I’m mostly self taught, though I did get some sewing and other crafting skills in elementary and middle school – they were considered important parts of education in Switzerland (at least for the girls). My mom also helped me enormously and then I took some pattern making and draping classes in the past few years. One must have the technique to deliver the quality…

    AS: You were born & raised in Switzerland.  What made you decide to move to the US?

    SMV: I always felt that Switzerland wasn’t quite my place in the world. When I got the opportunity to be an exchange student in the U.S., I ran and never looked back…

    AS: When did your craft turn into a business?

    SMV: I started selling a couple of years ago in a small shop in Woodstock. The store is no longer there, but the love of seeing other people wear my creations stayed.

    Zig-Zag Dress

    AS: Where does the name Meerwiibli come from?

    SMV: Meerwiibli means mermaid in Swiss-German – it’s been the name I’ve sewn onto my clothes for many years now. My family crest is the two-tailed mermaid I use as my logo, I love that she has the two tails – it’s so much more powerful (though I do love all mermaids).

    AS: I love the way you combine textures, colors, & pattern in each of your pieces.  What inspires your clothing designs?  Do you follow fashion trends at all?

    SMV: My day job is working at a photo agency where we have huge historical archives. I find a lot of inspirations browsing through those images, though the biggest inspiration for me are the fabrics. Once I hold them in my hand, the creations start to emerge.

    Orange Knit Sweater Dress

    AS: Tell us a bit about your creative process. Do you plan out each piece from the start?  Do you work from a sketch?

    SMV: I rarely sketch. I’m not very secure with my drawing abilities! I visualize everything in my head or sometimes just start draping the fabric on my dress form and see where it takes me.

    AS: You are also a photographer.  Do you shoot all the photos of the clothing?   Is your photography another side business?

    SMV: I used to take self-portraits in all my designs. I love that my little line has let me live all my daydreams and use the many skills I’ve acquired throughout my life. I get to be a fashion designer, seamstress, graphic designer, model, photographer, etc. Though now, since I’m so busy making the clothes themselves, most of the photos of my clothing are taken by other photographers, though I still model them myself.

    Striped Hoodie

    AS: Do you work on Meerwiibli full time or do you have a day job?

    SMV: My line has begun demanding more and more of my time. I do have a day job, but fortunately I’ve been able to cut back a bit. Soon I hope to be able to spend even more time working on my clothing line. I do love having the balance between the two jobs though. I enjoy going to the office and working with a cool team. I’m a photo researcher in my other life, which is a nice job. I get to look at images all day.

    AS: Aside from Art Star, where can we purchase your clothes.

    SMV: Well, at the moment there really is just my Etsy shop (meerwiibli.etsy.com). Art Star has been such an amazing experience that it’s hard to find other stores that live up to it. But I am working on securing additional outlets. I’ve just finished my Spring/Summer 2012 collection and I’m shopping it around quite a bit.

    Alpine Muff

    AS: What will we see at your ASCB booth?

    SMV: All your favorites and some new items too (hello scalloped hoodie!). I will have belts, hats and fuzzy muffs, as well as winter coats and lots of cozy and elegant and colorful clothes.

    Sarah-Maria roaming Zurich

    Find Meerwiibli at Booth #41 at our upcoming Art Star Craft Bazaar
    View her collection at Art Star

  • ASCB Vendor Spotlight: Diamond Tooth Taxidermy

    I have decided to spotlight some of the vendors that will be included in our upcoming Holiday Art Star Craft Bazaar.  The first in the series is an interview with Beth Beverly from Diamond Tooth Taxidermy.  Keep checking our blog for more interviews leading up to the bazaar.  I hope to post a new one a few times a week.  Enjoy!

    Company: Diamond Tooth Taxidermy
    Proprietor: Beth Beverly
    Located In: Philadelphia, PA
    http://diamondtoothtaxidermy.com

    Art Star:When I first met you, we were at Tyler School of Art together & you majored in jewelry/metals there.  How/when did you transition into taxidermy?

    Beth Beverly: I’ve always incorporated natural fibers into my work, and while studying at Tyler I attempted to continue this ( to varying degrees of success ) using fur, hair and leather in some pieces.  While I adore all things metal, in the end it wasn’t such a good fit for me and I spent the next ten years dabbling in a crude sort of self-taught taxidermy before listening to my heart and making the decision to fully jump into the craft.

    AS: Does your jewelry/metals background inform your current work?

    BB:I was working on a brooch today wishing I still had access to that metals studio! (sigh…) There are many times when I would like to incorporate metal fabrication into the structure of a piece.  Lucky for me, I have friends like Maria Eife who have properly equipped studios and enough patience to assist me in realizing my designs.  Ultimately I’d like to have a skilled jeweler on hire to fabricate structures for me so I don’t have to divert my focus from the taxidermy.  To me, there isn’t much quite so striking as the look of sleek, shiny metal against deep, rich fur or feathers.

    AS: Tell us a bit about the types of items that you make.  Do you mostly work on custom orders or do you have a specific line of items that you offer for sale?

    BB: Just about everything I make is wearable.  I do custom sculptural pieces as well but my passion lies in headgear.  I do sell items from my etsy shop, but most of the income I draw from my art is from custom orders.  I seem to have a knack for understanding what a client wants; and I really appreciate the trust they have in me.   Aside from that, I am constantly creating hats for events and competitions that wind up on my site for sale or rent, to whomever’s fancy they may strike.

    AS: How do you find all of the animals that you work with?

    BB: I make a point of stressing to inquiring minds (especially those on the fence about taxidermy) that I source all my specimen as ethically as possible.  This means using roadkill when legal, domestic pets, anything which has expired naturally, or buying hunted game from my local butcher.  I just adore Sonny D’angelo on 9th street, he’s an absolute peach and gets me some choice rabbits, pheasants and quail, which I skin and then make delicious meals out of.  I also buy squirrels and starlings from hunting taxidermy buddies, the meat of which goes into cat food.

    AS: What is the most interesting or weirdest thing someone has commissioned you to make?

    BB: Right this moment I am working on a cat for my #1 client.  It was her pet, and she loved this creature dearly.  I am well aware of the mixed feelings that go along with preserving pets, and I understand both sides.  I see it as an honor and a challenge though, and as a lifelong cat person this has been the most emotionally stirring project for me yet.  It’s nowhere near done; thankfully she is a very patient client because I refuse to rush these things.

    AS: Are you able to focus on Diamond Tooth full time or do you have a day job?

    BB: I moonlight as a performer at local events; you may have seen me twirling in my hoop as an aerialist or perhaps I have even poured your champagne while hanging upside down from a large chandelier rig. I also work as a warranty technician on cruise ships.  The list goes on but for the sake of time lets just say I’m a hustler.  My goal is to support myself off Diamond Tooth but I never want to stop performing.  I think it keeps one healthy to have each hand in a couple different pots, so to speak.

    Beth Beverly

    AS: Do you have any interns/employees?

    BB: I would LOVE to have a personal assistant and some nimble fingered crafters on my team, but at this time I am flying solo.  When I open up my storefront perhaps I’ll be ready to employ someone.

    AS: Where do you see Diamond Tooth in the next few years?

    BB: On the head of every stylish woman from Montauk to Bangkok.

    AS: What can shoppers expect to see at your table at our upcoming bazaar?

    BB: Shoppers are in for a treat; I’m sharing a space with Maria Eife and we are having a ball designing the displays.  My inventory will consist of many feathered combs like the ones seen on my etsy shop, brooches, jawbone earrings, fur bangle bracelets and some higher end pieces like one of a kind hats and fascinators.

    Want to learn more about Diamond Tooth?  Visit Beth’s blog and check out these great videos of her at work in her studio.
    Video 1 (Beth makes a rooster headpiece)
    Video 2 (Beth makes a bear skin rug)

  • An Interview with Ryan Myers

    We asked Art Star artist, Ryan Myers, to create an exclusive piece for us & I love what he came up with: Naptime Was His Kryptonite, oil on canvas (below). The original can be purchased for $350 or you can pick up an archival pigment print for just $25!

    "Naptime was his Kryptonite", oil on canvas

    I thought this would be a great opportunity to highlight Ryan & his work! Check out my interview with him below.

    What is your art background? Where did you study?
    Art has always sort of been part of my life. I can’t think of a time growing up where I wasn’t at the very least drawing. I have a degree in illustration and art history from Hartford Art School in Ct..

    How long have you been painting?
    I started painting in college. I got serious about showing my work the way it looks now in about 2004.

    Have you always painted children? How much of your own childhood inspires this imagery?
    I definitely haven’t always painted children. I came out of art school content on being an editorial illustrator, so my work was focused on whatever the job required. There wasn’t a lot of personal work then. I am not sure there’s a lot of my childhood in the kids I paint now, but obviously all my experiences help inform the paintings.

    "Adoration of the Snozzwanger", oil on wood

    The way that you draw the children & the overall color palette is very cute & sweet, but I get a deep sense of sadness & loneliness when looking at your work. I am assuming that is intentional? Do you have back stories for these children? I am curious why they are so sad.
    This is a tough question with a few parts, so I’ll do my best to tie this one up with a nice little bow. The cute and sweet colors matched against the feelings of sadness and loneliness are definitely intentional. To use a loaded art word it’s basically for the juxtaposition of the emotions. I don’t typically think of the kids as sad. There are some of the teary-eyed exceptions, more typically though I like to think they are just completely indifferent to everything going on around them. They may not be happy, but that doesn’t necessarily mean they are sad. I feel like much more emotion can be attached to a non-smiling face. Obviously I have some sense of a story when I begin work, but they don’t really have back stories. I like to include just enough in the paintings to hint at a back story, but leave the scene open to interpretation. The viewers are interrupting something that’s going on in the painting and it’s their job to figure out what.

    How much of the work is autobiographical? I notice that your dog makes a bunch of appearances with a little boy, which makes me wonder if that little boy is supposed to be you.
    I wouldn’t say that the little boys are me beyond the dark hair and eyes. I use some aspects of my daily life to inform some of the symbols and elements that reoccur in my paintings. It’s more like a familiarity that I am comfortable with, like keepsakes in a curio cabinet, than an autobiography.

    "The House Call", oil on canvas

    You are a father with two small children now, correct? How much is your imagery inspired by them?
    Yes that’s right, I’m blessed with two beautiful children. I’m not sure that they themselves inspire my imagery, it’s more like their stuff does. The tiny clothes and toys usually give me a good jumping off point. Having two big eyed models at my disposal certainly helps though.

     

    What is your artistic process like? Do you begin with an emotion / story & then go from there?
    I’ve never been really good at explaining the process, but I can give it a go. I really always start off with an idea that makes me laugh – it’s sort of strange to say that though considering people so often speak of the sadness or haunting feelings of the paintings. For a long time I came up with the titles for paintings first and then worked out an image to suit. Occasionally I still do that, but more typically now I’ll get myself in the mood to work with music and depending what I am working on I’ll either start a drawing on paper or work things out right on the canvas.

    Are there any particular artists that you are inspired by?
    Inspiration is a funny thing… I feel like I am probably more inspired by Pee Wee Herman or something than another artist, but there are a few artists I really enjoy who have probably helped me towards my style. Artists like Giorgio de Chirico and Magritte really did a lot for the weird stillness I use in my paintings. I have got a few others, but I can’t give away all my secrets. Contemporarily though, I really like artists who work graphically, Toki Doki (Simone Legno) comes to mind first.

    Do you paint full time? If not, what do you do for a day job?
    I don’t actually paint full time. I work for the Post Office and am one of those rare people who really enjoys their job.

    Any upcoming shows on the horizon?
    I do have a few things lined up for the future – some I can’t talk about yet, but coming up soon I’m going to have a few pieces in a group show in Santa Fe.

    What are you working on right now?
    It always feels like I am juggling a few things. Right now I am working on some new types of images, but I’ve got a backlog of canvases that I’ve been working on in my studio for a while that I will try and wrap up soon. I also have some private commissions as well as some fun give away plans in the works.

    Check out our collection of Ryan’s paintings & drawings
    visit his website

  • Spotlight on Penelope Rakov of Spot On Designs

    Spot on Designs by Penelope Rakov

    I met Penny back in the early 2000’s when I was working in the gallery at The Clay Studio in Philadelphia. She was a recent Alfred graduate who had studied both ceramics & glass, receiving her BFA in 2000. She was coming to Philly straight from an artist residency at Watershed, which provided her with studio space, a place to live, & covered basic expenses. She was looking to find a shared art community & studio space/time to continue to develop her ceramic & glass work. She volunteered in the gallery for me at The Clay Studio & also assisted our class studio technician in exchange for work space. Rakov states, “At the time, I was interested in making work that you live with. What I really loved about ceramics was how you interacted with it. I loved the simplicity of how something could just be beautiful & part of your daily life.” She worked on her pottery at The Clay Studio & also blew glass at Hot Soup (a glass studio/school in Philly) in exchange for teaching classes there.

    ceramic cup by Penelope Rakov

    Working in glass soon became too expensive & she felt her glass skills needed to develop further. According to Rakov, “At that point, I had never been as good in glass as I was in ceramics. So I applied to Tyler School of Art as a glass person w/ ceramic slides.” She was accepted in the glass department and paid for her tuition by teaching ceramic classes there. Her work at this time moved from being functional to more sculptural. She was only given 2 hours in the hot shop & the rest of the day she worked in her studio. She says, “I had not pulled cane [long strips of colored glass] before I got there. I loved color & I had intended on making functional glass objects in the same vain as making ceramic objects for the home. But it was just not as fun, or maybe I just was not as good at it. I also felt uncomfortable w/ all the judgment I was getting. When you blow glass, you fail a lot in public. Cane pulling wasn’t as hard for everybody & I could work w/ it. I could work w/ the scraps and build something out of it & make the color worth it. I could cut into it & fuze it back together & it could at least be interesting so [from there] I really just worked w/ pattern & color.”


    She manipulated the pulled cane to create large color fields in a variety of forms.  She states, “Color has a huge amount of information.  If we look at red & green we think of Christmas; red and yellow -McDonalds. There are certain color combinations that have so much information, so I was thinking a lot about color combinations & what kind of information they conveyed. Conceptually I was thinking about things like lobster buoys, pharmaceuticals, etc. and how all those things are color coded so that they are instantly recognizable. I was playing w/ color combos & what I thought this combo would mean to me personally. So I made different fields of color, different forms of fields of color: some were flat, some were huge bundles, some were long troughs w/ scattered cane. Mostly what that was about for me was just having lots and lots of cane & being able to reassemble it and make something else out of it.” We asked if she was even thinking of making jewelry at the time.  According to Penny, “I got requests for jewelry but I thought ‘how many crafts should I be making’.  I was coming from an anti selling point at school & at the time, I bristled at the requests I got.”

    Early Slice Necklace by Penelope Rakov

    After graduating w/ her MFA, her thinking began to shift. In early 2004 we opened Art Star & Penny had recently finished up at Tyler & was beginning to sell her work.  We consigned some small, brightly colored “pocket sculptures”, which were small circles of glass.  Each piece was visually striking & unique. Each one was layered with circles & dots of different colored glass, some raised & bubbling from the surface.  They were reminiscent of sea creatures or something you’d view under a microscope or find in a Petri dish.  Customers were mesmerized by them & began to ask if the artist would make them into brooches or necklaces.  We approached Penny about this & the seed for her soon to be small business, Spot On Designs, a production glass jewelry company, was planted.  She recalls, “You said, ‘Penny, we’ll actually sell this & sell it for more money if you’d put a pin back on it.’ We watched as Penny’s glass pieces evolved from a chain passed through a hole in the glass sculpture to being professionally set in sterling silver.  Today Spot On Designs creates not only necklaces, but also rings, earrings, & cuff links in a variety of styles, colors, patterns & settings.  Because each piece is handmade, no two are alike.

    Corey Dangle Earrings by Penelope Rakov

    Penny’s studio is in the Crane building, an old plumbing warehouse that has been renovated to provide artist studio space & also houses the Icebox gallery space amongst others.  Her walls & work tables are lined w/ hundreds of glass tubes in a vast array of colors.  Her studio is where she starts to get creative with the glass canes that she has pulled & begins to play around w/ the colors to create patterns. She does this by bundling the glass strips together to see how they look.  She says, “I will think of the colored canes that I’ve made & meditate on that, reacting to the stock that I have.  I’ll mess around w/ the canes together & then bundle them.  I’ll work w/ a specific color scheme that has been haunting me or that I think that I am missing from my collection or that I think will be popular with my customers”.

    bundles of glass cane in Penny’s studio

    click here to read how each pieces is made, step by step

    We were both amazed at how many steps were involved in the making of one piece (at least 7 steps) & were curious how she keeps her pricing so affordable.  Penny reassured us that though it is a long, complicated process, she doesn’t make each piece one at a time. The canes that she pulls in the hot shop will be used for many finished pieces.  She might not use them all right away, but she stores them in her studio until she can find a piece that they work w/.  None of her materials are wasted.  She states, “I couldn’t retail them for a price people couldn’t pay.  If these prices get me to the next level [in my business] then it is okay – I can always raise them later.  I love my customers, I really do & I want them to think that they bought something very special that will not disappoint them.”  Plus, it will keep her customers coming back.  Seeing her jewelry on a happy customer is her favorite part. She recalls,“There was this woman last year at Artstcape that purchased a piece that honestly, I didn’t like very much. Once she put it on I was like, that’s gorgeous!” This is when Penny feels her work is finally finished.

    Penny Candy Necklace, glass & sterling silver

    You can find Penny’s work in galleries & shops across the country.  Visit her website for a complete list of shops that stock her work.  Penny also does around 12 craft shows each year, including our own Art Star Craft Bazaar. And of course, you can find her work at Art Star year round!

    Penny & her dog

    by Megan Brewster

  • An Interview w/ Jordan Perme from Horrible Adorables


    Meet Jordan Perme, a Ohio based artist who creates fabulous felt taxidermy!  Each piece is hand sculpted & then covered w/ colorful felt pieces.  We met Jordan at last year’s Art Star Craft Bazaar where she introduced Philadelphia to her vast array of creatures.  Some were free standing, but most were mounted to painted wood plaques.  My husband & I snagged 2 for our home & I can’t wait to see what she brings this year.  I was curious to learn more about her.  Check out my interview w/ her below, as well as some photos of her working in her studio on a new piece.  You can purchase her work at art star or at booth #95 at the bazaar.
    -Megan

    Megan: How did your idea to create your felt taxidermy come about?  Did
    you begin making these while you were at art school?

    Jordan: I am fascinated by the famous hoaxes of showman P.T. Barnum,
    sideshow trickery, curiosities, Crytozoological wonders (such as
    Bigfoot and the Loch Ness Monster) and by the enthusiasts of this
    study who passionately collect evidence in an effort to prove these
    creature’s existence.  My cumulation of interests inspired a thesis
    show at the Cleveland Institute of Art where I created a Room of
    Wonder for a delusional collector.  Within the space there was framed
    tintype documentation of the collector ‘hunting,’ a hand drawn field
    guide and plenty of curious faux taxidermy creatures!

    M: What is your creative process like?  Do you begin w/ a sketch or
    just start sculpting?

    J: I do a lot of quick sketches for ideation, but I don’t think too
    much about what the final product is going to look like.  Once I start to
    sculpt the foam, the shape changes and evolves.  I will start to see a
    new creature emerge and the majority of the time, it ends up looking
    quite different from my original drawing.

    M: How do you come up w/ ideas for your different characters?

    J: Each sculpture is unique and one of a kind.  I visualize existing
    animals and wonder what they would look like if they had strange
    features such as horns, a long snout or gangly teeth.  These new
    additions further distance the creatures from being a specific,
    recognizable animal and also give them an other worldly appearance.  I
    am often asked, while showing my art at various fairs, what type of
    animal a given sculpture is supposed to be. My response is usually
    something like “Oh, it’s an antelope-kitty-giraffe hybrid of course!”

    M: What is a typical day like for you?  Do you have a day job or do
    you make your art full time?

    J: I am in my studio all day, every day!  In addition to creating
    fantastical creatures, I am also a freelance soft toy and repeat
    pattern designer.  I work for major toy companies to ideate new plush
    concepts and produce prototypes of soft toys.  I also work a lot on
    the computer making graphic repeat patterns that are used to decorate
    everything from plastic to fabric toy components.  Working in this
    industry has definitely influenced my art work, as it has become more
    playful in appearance.  Many people have even bought my faux taxidermy
    to decorate their nurseries!

    M: When did you launch your business & how has it grown over the years?

    J: Upon graduating from college in 2009 I began to look for a ‘real
    job.’  I found that with no industry experience, it was extremely
    difficult to find any position in my field that was looking for recent
    college graduates.  I had dabbled in freelancing before and decided to
    take a few projects here and there until I could find something more
    permanent.  I found that the projects that I was taking on were
    incredibly rewarding and since I was able to make up my own schedule
    (wake up in the afternoon, work till 4 in the morning) there was a lot
    more time for me to do my own art work and keep a good studio
    practice.  With a normal 9-5 job, I don’t think I would be able to
    travel to as many art fairs and have much time to build up stock.  I
    have had an Etsy site for years, but decided to relaunch the ‘Horrible
    Adorables’ line again in 2010.  I haven’t been doing the indie craft
    thing for that long, but it has led to many great networking
    opportunities and I have been getting nice feedback that has made me
    feel even more secure in my pursuit of a non-traditional line of
    work.

    M: Where do you see yourself in the next 10 years?

    J: In 10 years I would love to be able to support myself solely from
    my art work and continue making the things that I love.

    M: Are there any specific artists that have inspired you and your work?

    J: My favorite artists are Yinka Shonibare, Kiki Smith and Yoshitomo
    Nara
    .  I am inspired by indie crafters and am on Etsy at least once a
    day checking out whats new!

    M: Out of all the felt sculptures that you have made, which is your favorite?

    J: I get pretty attached to each sculpture after I complete it and
    often times, my favorite is whatever my newest creation is!  I am glad
    that other people enjoy my art too, enough to purchase a piece for
    themselves, otherwise I would probably hoard all of my creatures and
    have an entire space as a faux-trophy room!

    M: I would love to see a giant felt sculpture.  Any plans on doing any
    large installation pieces?

    J: I would also love to make a giant felt sculpture!  I’ve had it in
    my head for a while to make something quite large (as big as a full
    sized deer??) but I can’t seem to find the time that it would take, to
    create something at that scale yet.  I almost need to have a gallery
    show in the works to get me moving on it!

    M: Aside from having your work at art star, where else do you sell
    your work?  Do you have any exhibitions booked in the future?

    J: I will be at the Renegade Craft Fair in Brooklyn this summer (June
    11-12) and will be applying to a handful of other shows this year.  I
    have also been talking to a local Cleveland gallery and boutique about
    having a little Horrible Adorables storefront within their space.. but
    we are still discussing all the details.  More on that later!

    M: Any special projects on the horizon?

    J: I am passionate about puppets and I would love to do some
    exploration into making my creatures as marionettes and animating them
    in short films.  I also love vinyl artist toys.  It would be so great
    if some of my creatures could be produced into limited edition toys
    that an even wider audience could enjoy!

    M: Anything else we should know?

    J: I have a lot of new horribly adorable creatures in the works.
    Please stop by my booth at the Art Star Craft Bazaar to check them all
    out and say hello!

    Find more about Jordan & her Horrible Adorables on the following sites:
    her website http://www.jordan-elise.com/
    her etsy page http://www.horribleadorables.etsy.com
    her blog http://horribleadorables.blogspot.com/

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