Tag: sculpture

  • Meet The Maker: Jedediah Morfit

    Words and Images by Jedediah Morfit
    http://jedediahmorfit.com/

    The problem with sculpture (at least the kind of sculpture I make) is that is extremely time consuming, labor intensive, and expensive to produce, which obviously makes it expensive to buy.

    SelfPortrait

    I started working with laser cuts last year, as a way to a) make work my friends and family could actually afford, and b) hopefully fund my ever-expanding studio expenses. This new work challenged me to keep thinking like a sculptor, while using my background as a commercial illustrator and designer to create an accessible series that (crucially) retained its conceptual and visual integrity.

    The first laser cuts I made directly re-imagined some of the imagery found in my sculpture. The woman on the left (seen here in “The Price Of Doing Business, Second State”, 2011) was among the first bas relief sculptures I made in this series. She was also the subject of the first laser cut I ever made, “Daughter Of The Revolution”, 2015.

    DaughterOfTheRevolution
    The woman on the right in this image is taken from Brueghel’s Painting,”The Dulle Griet”. She is seen here in my 2011 sculpture “Paved With Good Intentions”, and in the 2015 laser cut “Mad Meg”.

    Mad MegThis one is a little harder to see, but the image on the right is a detail of my life-sized sculpture “Mama’s In The Arbor”. The image on the left is an adaptation of that same figure, is also called “Mama’s In The Arbor (Second State)”. I have found that working with laser cuts provides a fascinating opportunity to re-imagine the subject through a new lens, where the rules of 3D generally do not apply, and the graphic relationship between color and shape are everything.

    MamasInTheArbor
    As I gained a better understanding of the process, and the possibilities of the medium, the pieces naturally began to take their own shape, while still very much reflecting my usual aesthetic and conceptual concerns (jumbled imagery, the flotsam and jetsam of consumer culture, the casual violence of daily life, etc.). In this case, the image on the left is from a suite of sculptural furniture that was commissioned to by Atlantic City, called “Flood Suite”, 2013. The image on the right is from one of the later, larger laser cuts, entitled “Privateer”, 2015.

    BenchPrivateer
    At this point, Illustrator has established itself as my preferred drawing method. Some of the work I will be bringing to the Art Star Craft Bazaar began as sketches for a new body of dimensional sculpture, which is still in the early stages. For me, it’s interesting to see the process starting to work in reverse; starting to imagine three dimensional work through a series of works on paper. As I think about it, working that way is probably the norm, but it’s new to me, and incredibly exciting.

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    Find Jedediah Morfit’s work at our May 7th + 8th Art Star Craft Bazaar at the Great Plaza at Penn’s Landing

  • An Interview with New Academy Press

    New Academy Press, founded by Justin George and Michael Burch, is a collaborative screen printing shop in Pittsburgh, PA.  New Academy Press will be vending at our Art Star Craft Bazaar for the first time this year, so we were interested in learning more about them.  Check out our interview and come visit them at the bazaar at booth # 110!

    Art Star: What will you be selling at the bazaar?
    New Academy Press: We will be selling screen printed paper goods, such as illustrated prints, postcards, bookmarks, and paper sculptures.

    AS: Describe your process.
    NAP: We take original illustrations and designs and screen print them by hand.  Some of our prints are then cut, torn, folded, and glued to create 3-dimensional paper sculptures.

    AS: Are you professionally trained?
    NAP: Justin holds a BFA in printmaking and Michael has one in photography.

    AS: Are you able to make your work full time?  If not, what do you do for your day job?
    NAP: We work full time hours for New Academy Press, but to stay afloat we also spend additional time as a bartender and restaurant manager.

    AS: Where would you like to see your art/craft business in the next 10 years?
    NAP: We would like to move our operation out of our living room and into a larger, dedicated workspace allowing us to increase our creative output, and eventually spread our love for art making through teaching classes and workshops.

    AS: Any exciting projects in the works?
    NAP: We are currently working on a suite of new prints for a gallery show in August at the Irma Freeman Center for Imagination here in Pittsburgh.

    AS: What are your favorite things about Philadelphia?
    NAP:  So many things! Michael spent a brief time living in Philly, and the things he misses most are the Museum of Art, bicycle lanes and beautiful old buildings. Justin enjoys the Mutter Museum and Ben Franklin.

    AS: What are some of the inspirations for your work?
    NAP: We are heavily influenced by past eras of scientific exploration, design and manufacturing. We love learning about the people who have spent their lives searching for answers and discovering new things about the natural world.

     

    AS: What are you reading / listening to?
    NAP: That is a very big question.  We love talk radio, podcasts and audiobooks that teach us about this crazy universe, but when it comes to getting thing done we like really loud rock music.

     

  • Horrible Adorables Opening Recap


    We had so much fun hanging out with Jordan & her boyfriend Chris!  They drove up late from Cleveland early last week & stayed with my husband and I for a few days.  We had a fantastic turn out at the opening & many of the pieces found new homes.  We have a good amount still available though.  Go here to view all the work

    The show is up now through November 18th.  If you are unable to stop by, check out our set of installation/opening photos on Flickr

    Jordan had a fun idea to hide one of her little creatures in the neighborhood.  We handed out clues to everyone that came to the opening.  We decided to hide him in a wall of ivy in the back yard at Soy Cafe.  Jordan made him specifically for the spot, so he was hard to find b/c his scales matched the foliage.  Dominic Mambu found him towards the end of the evening.  I was impressed b/c it was dark out and you could just see his little face peering out.  Congrats Dominic!

    Thanks to all of our friends & customers that came out for the opening!  Here are some photos.  Go to our Flickr page to see more.

    Ben
    Marisha & Zay

     

    Rhea
    and the lady of the hour….Jordan!

    Extra special thanks to Jordan & Chris for making the long journey to Philly!! We had a blast!

  • An Interview w/ Jordan Perme from Horrible Adorables


    Meet Jordan Perme, a Ohio based artist who creates fabulous felt taxidermy!  Each piece is hand sculpted & then covered w/ colorful felt pieces.  We met Jordan at last year’s Art Star Craft Bazaar where she introduced Philadelphia to her vast array of creatures.  Some were free standing, but most were mounted to painted wood plaques.  My husband & I snagged 2 for our home & I can’t wait to see what she brings this year.  I was curious to learn more about her.  Check out my interview w/ her below, as well as some photos of her working in her studio on a new piece.  You can purchase her work at art star or at booth #95 at the bazaar.
    -Megan

    Megan: How did your idea to create your felt taxidermy come about?  Did
    you begin making these while you were at art school?

    Jordan: I am fascinated by the famous hoaxes of showman P.T. Barnum,
    sideshow trickery, curiosities, Crytozoological wonders (such as
    Bigfoot and the Loch Ness Monster) and by the enthusiasts of this
    study who passionately collect evidence in an effort to prove these
    creature’s existence.  My cumulation of interests inspired a thesis
    show at the Cleveland Institute of Art where I created a Room of
    Wonder for a delusional collector.  Within the space there was framed
    tintype documentation of the collector ‘hunting,’ a hand drawn field
    guide and plenty of curious faux taxidermy creatures!

    M: What is your creative process like?  Do you begin w/ a sketch or
    just start sculpting?

    J: I do a lot of quick sketches for ideation, but I don’t think too
    much about what the final product is going to look like.  Once I start to
    sculpt the foam, the shape changes and evolves.  I will start to see a
    new creature emerge and the majority of the time, it ends up looking
    quite different from my original drawing.

    M: How do you come up w/ ideas for your different characters?

    J: Each sculpture is unique and one of a kind.  I visualize existing
    animals and wonder what they would look like if they had strange
    features such as horns, a long snout or gangly teeth.  These new
    additions further distance the creatures from being a specific,
    recognizable animal and also give them an other worldly appearance.  I
    am often asked, while showing my art at various fairs, what type of
    animal a given sculpture is supposed to be. My response is usually
    something like “Oh, it’s an antelope-kitty-giraffe hybrid of course!”

    M: What is a typical day like for you?  Do you have a day job or do
    you make your art full time?

    J: I am in my studio all day, every day!  In addition to creating
    fantastical creatures, I am also a freelance soft toy and repeat
    pattern designer.  I work for major toy companies to ideate new plush
    concepts and produce prototypes of soft toys.  I also work a lot on
    the computer making graphic repeat patterns that are used to decorate
    everything from plastic to fabric toy components.  Working in this
    industry has definitely influenced my art work, as it has become more
    playful in appearance.  Many people have even bought my faux taxidermy
    to decorate their nurseries!

    M: When did you launch your business & how has it grown over the years?

    J: Upon graduating from college in 2009 I began to look for a ‘real
    job.’  I found that with no industry experience, it was extremely
    difficult to find any position in my field that was looking for recent
    college graduates.  I had dabbled in freelancing before and decided to
    take a few projects here and there until I could find something more
    permanent.  I found that the projects that I was taking on were
    incredibly rewarding and since I was able to make up my own schedule
    (wake up in the afternoon, work till 4 in the morning) there was a lot
    more time for me to do my own art work and keep a good studio
    practice.  With a normal 9-5 job, I don’t think I would be able to
    travel to as many art fairs and have much time to build up stock.  I
    have had an Etsy site for years, but decided to relaunch the ‘Horrible
    Adorables’ line again in 2010.  I haven’t been doing the indie craft
    thing for that long, but it has led to many great networking
    opportunities and I have been getting nice feedback that has made me
    feel even more secure in my pursuit of a non-traditional line of
    work.

    M: Where do you see yourself in the next 10 years?

    J: In 10 years I would love to be able to support myself solely from
    my art work and continue making the things that I love.

    M: Are there any specific artists that have inspired you and your work?

    J: My favorite artists are Yinka Shonibare, Kiki Smith and Yoshitomo
    Nara
    .  I am inspired by indie crafters and am on Etsy at least once a
    day checking out whats new!

    M: Out of all the felt sculptures that you have made, which is your favorite?

    J: I get pretty attached to each sculpture after I complete it and
    often times, my favorite is whatever my newest creation is!  I am glad
    that other people enjoy my art too, enough to purchase a piece for
    themselves, otherwise I would probably hoard all of my creatures and
    have an entire space as a faux-trophy room!

    M: I would love to see a giant felt sculpture.  Any plans on doing any
    large installation pieces?

    J: I would also love to make a giant felt sculpture!  I’ve had it in
    my head for a while to make something quite large (as big as a full
    sized deer??) but I can’t seem to find the time that it would take, to
    create something at that scale yet.  I almost need to have a gallery
    show in the works to get me moving on it!

    M: Aside from having your work at art star, where else do you sell
    your work?  Do you have any exhibitions booked in the future?

    J: I will be at the Renegade Craft Fair in Brooklyn this summer (June
    11-12) and will be applying to a handful of other shows this year.  I
    have also been talking to a local Cleveland gallery and boutique about
    having a little Horrible Adorables storefront within their space.. but
    we are still discussing all the details.  More on that later!

    M: Any special projects on the horizon?

    J: I am passionate about puppets and I would love to do some
    exploration into making my creatures as marionettes and animating them
    in short films.  I also love vinyl artist toys.  It would be so great
    if some of my creatures could be produced into limited edition toys
    that an even wider audience could enjoy!

    M: Anything else we should know?

    J: I have a lot of new horribly adorable creatures in the works.
    Please stop by my booth at the Art Star Craft Bazaar to check them all
    out and say hello!

    Find more about Jordan & her Horrible Adorables on the following sites:
    her website http://www.jordan-elise.com/
    her etsy page http://www.horribleadorables.etsy.com
    her blog http://horribleadorables.blogspot.com/

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