Tag: philly

  • “Robots and T-shirts and Art Star, Oh My” by Matt Eyer + Pete Oravetz

    If you’ve been attending Art Star events for the past few years, you’ve probably seen Matt Eyer and Peter Oravetz’s shared spot full of robots and t-shirts. Matt creates limited edition graphic t-shirts, tank-tops, and hoodies inspired by Philadelphia under his brand Wear Liberty. Peter has been illustrating his Robots! series for almost ten years now in which you can find them in all walks of life from battling giant squids to drinking beers at the bar.

    Peter Oravetz

    This Fall bazaar will be Matt and Peter’s fifth Art Star event together and to celebrate they did a little interview with each other.  Matt goes first with questions for Pete and then Pete follows up with questions for Matt.  Enjoy and be sure to stop by their booth (#41) at the bazaar!

    Matt Eyer: Why robots? Why not dinosaurs?
    Peter Oravets: Dinosaurs are so Cretaceous period…robots are the future! Not to mention that they’re made by us…we’ve essentially engineered a new species that could potentially think for itself. It’s inevitable that they’ll have some of the same ticks and hang-ups we humans do, especially when it comes to movement and gesture. It would be interesting to see how a robot might respond to the world with the outlook of an adolescent and a similar range of motion.

    “Squid” by Peter Oravatz / graphite on paper (also available as a print)

    Matt: How long does it take you to complete your big pieces? How many hours total and over how long of a time period do you work on them?
    Pete: They can take a tremendous amount of work. The more detailed pieces like “Squid” or “001” took about a month each but that was when I had more time to produce them. I’d say close to 60 hours a piece (not including preliminary sketch time). The small ones are much quicker but do take a lot of consideration and brainstorming as well.

    “First” by Peter Oravetz / graphite on paper

    Matt: Have you ever collaborated or do you plan to collaborate with any Philly artists or others?
    Pete: Yes, I have collaborated with a now ex-Philly artist…my friend Mike Studebaker of Studebaker Metals. We were getting into the business of making toy soldiers, lapel pins, and other tiny metal versions of the Robots but it never got off the ground. Partly because he moved away to Pittsburgh. He produces excellent work, I highly recommend his line of mostly male oriented metal-ware (tie-clips, mustache combs and the like.) Recently I have collaborated with Printer Martin Peeves to help produce my new series “Catastrophe”. Screen prints of those will be available at the Fall ASCB too.

    Matt: Why black and white and no color?
    Pete: I have no simple answer for that. One of my works, the Robot Normal Rockwell self-portrait was re made into a color piece. It came out great but took forever and had to be done digitally. I have never been particularly good with markers and water-color and, truly, I would have to introduce that kind of medium into the Robots. They benefit from the precision and clean straight lines a pen offers. Beyond that, some of my favorite illustrators and cartoonists worked mostly in B+W.  Perhaps the next evolution of them will be in color.

    “Drunk on Oil” by Peter Oravetz / graphite on paper (also available as a made to order, hand inked print)

    Matt: What’s next for the robots? Or will there be a new theme/series?

    Pete: Like I just said maybe I’ll introduce some color! T-shirts are a must, that will happen soon; a lot of people have been asking if I have a book of them made. That might be my next big project… I’d like to make a children’s book of the bots telling a story without any sort of caption or written word, just images to get them thinking critically and come up with a story of their own. Kids have such great imaginations like that.

    A new series of drawings! Yes! I have started a new, albeit depressing, series of drawings titled “Catastrophe” that deal with natural disasters and urban destruction. You won’t want to miss it. Great gifts for the holidays.

    ———————————————————————————————————

    Matt Eyer

    Peter Oravetz: Wear Liberty is a specifically Philly themed line of apparel. Do you simply tell the designers “Give me Philly!”? Or do you ask for more specific themes like the Philly Skyline, Ben Franklin, or City Hall?
    Matt Eyer: All Wear Liberty designs are my ideas and concepts but I collaborate with a few different artists to come up with the final product. Usually I give them a very rough sketch (sometimes digital mock up) of what I’m going for and then tell them to incorporate their style into the design. So yes, it’s always very specific.

    Pete: In the past your clothes have been displayed on the runway by beautiful models. That’s a big jump from craft fairs. How has that helped/hindered you? Has it inspired you to find other creative ways of getting the word out?
    Matt: Having Wear Liberty worn on the runway opened up a whole new side of things for me. I never considered myself a “Fashion Designer”, but when grouped with other mediums of art, t-shirts fell into the fashion world for the events I’ve done. It gave me a chance to present my brand to a new audience and it was very exciting to have beautiful models wearing my shirts! Because of those events, I’ve met people I might not have otherwise and it certainly helped in expanding the reach of Wear Liberty.

    Philly Famous Zip hoodie by Wear Liberty

    Pete: People always seem to ask you for screen prints of the designs on your apparel. Are you planning to make that happen?? (I promise I won’t get mad if we continue to share a booth, so long as you won’t get jelly when I sell robot t-shirts, just sayin’).
    Matt: I’m actually planning to have a small run of screen prints at the Fall ASCB! This will be the first time I’ve ever done it, so I’m just doing a small run to see how it goes. This one guy has been asking for a print of my Ben Franklin design since we started doing Art Star events in 2012. I hope he shows up to this one!

    Founding Fathers Tee by Wear Liberty

    Pete: Do you have any advice for the young creative type dreaming of starting their own clothing brand?
    Matt: Reach out to your favorite artists and/or brand owners. There are so many smaller, independent clothing companies these days and most of them are very willing to share their experiences with you or pass along some advice. Also – do events! Present yourself to the public. Even if you have the coolest clothes ever, no one will buy them if they don’t know about them.

    Pete: You freaking love Pugs. What’s up with that?
    Matt: There’s not a logical explanation for that, which kind of bothers me cause I’m a very logical person. My family didn’t even have a dog growing up. There was just a point when I fell in love with them. Their cute faces, their funny grunts and snorts, and their amazing energy and personality. Oliver (my pug) will be 8 in November and my life has been ever the better since I’ve had him 🙂 I also have a pug tattoo!

    Ben Franklin Tee by Wear Liberty

    Pete: Have you considered a Wear Liberty line for dogs and/or babies?
    Matt: I have! I’ve been planning a Wear Liberty doggy line since the beginning, I just wanna do it right. I recently found a lady on Etsy who makes custom dog collars…so I think it should happen soon. Maybe Spring 2015? Stay tuned!

    Pete: What’s your favorite color to wear? Don’t say grey, that’s really boring.
    Matt: Funny you say that cause I used to hate heather grey, but now it’s definitely one of my favorites. Recently I’ve really liked “coffee” colored shirts and also “cranberry”. Pretty much any of the American Apparel tri-blend colors. It also helps that their super soft and comfy. And I could never deny how good a design looks on black, plus black goes with everything.

    Pete: What’s next for Wear Liberty?
    Matt: Wear Liberty will be expanding into more than just Philly designs very soon. I love Philadelphia which is a major reason why I started this brand but I feel that I’m limiting myself. I want to create designs that people worldwide can appreciate, but the roots will always be here in Philly.

     

     

     

     

  • Guest Post: Melissa Weiss Pottery


    We are thrilled to welcome new Art Star Craft Bazaar Vendor, Melissa Weiss, to our November 8th and 9th show at the 23rd Street Armory and as a guest writer on our blog today!  Melissa is a studio potter from Asheville, NC.  She digs all of her own clay off her land in NW Arkansas and each piece is made entirely by hand.  Enjoy her post about her work and process. Be sure to check out her website and her booth (#47) at our upcoming bazaar!

    Melissa Weiss in her studio

    About 6 years ago on a visit to my land in NW Arkansas I dug a bucket of clay out of the ground and brought it home.  I made a cup and fired it.  It withstood the firing but had some issues. On my next trip to Arkansas I dug a few hundred pounds.  I brought it back to my studio in Asheville, NC and started adding feldspars, sand and other commercially available dried clays.  I made about 13 variations of clay bodies incorporating my hand dug clay in different percentages.  I tested all of these variations with all of my slips and glazes and after hundreds of tests came up with a working clay body that was what I wanted based on functionality and aesthetics.  The clay I dug from land is 25% of the body and this is the clay I use to make every single pot.  The process is arduous but the reward is grand.

    About once a year I drive to the land I bought in 2002 with friends.  I was not a potter then.  We bought 75 acres of wild woods an hour from town.  This land is full of a beautiful iron rich, red clay. I dig about 1000 lbs on a trip and bring it home.  This will enable me to make 4000 lbs of clay.  I make clay at my studio in batches of 1000 lbs.  I put the Arkansas clay in a 55 gallon drum and add water.  I let it sit for a while and drill it up until it’s a slurry.


    Then I screen it to remove the big rocks and debris.  This now liquid clay is in a giant metal trough.  I then add all my commercial ingredients and drill it up.  At this point the clay is mixed and is the consistency of yogurt.  I remove this liquid clay by the bucket full into racks lined with old bed sheets.  The racks are basically wood frames with a chicken wire bottom.  These racks get stacked upon each other until they are all filled with the clay.  They will then sit for 2 weeks or more depending on the weather.  At this stage the water slowly drains through the sheets and screen and eventually I am left with a useable clay.

    the clay’s water slowly drains through bed sheets

    The reason I do this is not to save money on clay.  After all the labor and driving it costs much more than buying clay at the store.  I do this for many reasons.  The most basic is aesthetics.  The clay I make looks different.  It is imperfect and slightly varying.  Small rocks and bits of iron remain, which melt out in the firings and give the pots a raw, wild look. This clay also feels different.  It feels alive.  It has a character and a life of its own.  I also love the process of autonomy.  I like being involved in the making process from the beginning to the end.  The finished pot was made by me every step of the way.  It gives me a connection to my work I don’t think I would have if the clay was more easily come by.

    hand formed spoons made from Melissa’s own clay body

    I work out of an 8000 square foot warehouse in an industrial section of Asheville, NC between the railroad and the river.  It’s called SouthSide Studios which I founded in 2013. I run the studio which houses about 20 other artists working in a variety of media.  My studio hours are dictated by the fact that I have a 10 year old in public school.  I get to the studio by 8am, Monday through Friday.  I work until 3 most days and later when I have the opportunity.  I spend time there on weekends when I can.  On average I spend about 40-50 hours a week in the studio.


    I work in a rhythm. It starts with making clay, slips, glazes and washing ash for glazes.  I then make pots.  I usually have the pots I want to make laid out by weeks.  This is dictated partly by orders and deadlines.  This system seems to give me structure and keep me from becoming overwhelmed with too much to do.  For example, I will lay out the month of making by Week 1: slab pots, Week 2: mugs and drip cones, Week 3: pitchers and animal pots, Week 4 thrown bowls and teacups. This is never rigid and I ALWAYS make or do something new in every cycle.  When the making is complete I bisque fire all the pots. Then I glaze and decorate all the pots.  They are now ready for the final firing.  I fire the pots in a gas reduction kiln at the studio.  The firing lasts about 10 hours.  The kiln cools for a day and then I unload the pots.  All the pots get their bottoms sanded to make them smooth.  They then get washed and priced.

    Everyday I am in my studio I feel grateful and lucky.  So grateful that I do what I love for a living.  It takes a strict discipline and sacrifice of certain things but they are all worth it.  I will be making pots in my studio, listening to music with my dog and drinking coffee thinking – “I am at work right now!”  I work hard and it feels easy.

    Iron + White “V” Lidded Elephant Jar by Melissa Weiss Pottery

    Purchase Melissa’s work at our upcoming bazaar or on her website here

  • Guest Post: “Power of Three” by Forge & Finish

    The women behind Forge & Finish jewelry collective invite you into their Philadelphia studio to catch a glimpse of their creative process through these fun short films.

    You can find their work at Booth #20 at our upcoming Fall Art Star Craft Bazaar on November 8th + 9th! Look out for more Guest Posts by participating vendors in the days leading up to the show.  Enjoy!

    Demure de Rigueur’s Little Shaker Necklace from Fo Sho & Tell on Vimeo.

    Lace Army’s Fortune Cookie Necklace from Fo Sho & Tell on Vimeo.

    Bombita Designs Raw Diamond Ring from Fo Sho & Tell on Vimeo.

  • Jen Corace Opening + Our 10 Year Anniversary Party THIS SATURDAY!

    We will be celebrating our 10 Year Anniversary and the opening of Jen Corace’s solo exhibition, Within, with a party at Art Star this Saturday from 6-9pm + you are all invited!

    There will be beer, booze and food aplenty – including snacks donated by Soy Cafe + Honeygrow!

    Nick + Danielle of All Boy / All Girl will be playing an acoustic set throughout the evening.

    Cut and Paste Photobooth will be here with her fun props and backdrops. Cram in with all your friends and take some fun pics!

    Jen Corace will be exhibiting new, original paintings all done in gouache, ink and pencil on Rives BFK.  Corace states, “Within explores the practice of bringing the outside indoors.  I’m interested in representation of nature through home decor, the restraint, patterning and control that occurs within a space, what it means to internalize the external and the private world of quiet reflection and imagination.”  This will be Jen’s 3rd solo exhibition at Art Star.

    Please contact us  if you are interested in being on our collector’s preview list for the show. We will be sending out a email preview of the work on Thursday before the opening.

    ABOUT JEN CORACE
    Jen Corace was born and raised in the not so wild wilds of suburban South Jersey.  She attended RISD from 1992-1996, graduating with a BFA in Illustration.  For the past few years Jen has been focused on children’s book illustration. She’s worked with Amy Krause Rosenthal on the Little series, with Cynthia Rylant for Hansel and Gretal and The Steadfast Tin Soldier and most recently Mac Barnett for Telephone.

    Jen currently resides in Providence, RI.  When she’s not children’s-booking-it-up she’s doing something else in her studio … like drawing for fun or working on projects with her brother.  Or she’s gardening … or wrangling a dog named Leonard … or eating too much toast … or laying on the floor and staring at the ceiling.

    Thank you to our Partners:

     

  • Our first Pop Up Market at SSHP

    This past weekend marked the opening of Spruce Street Harbor Park and our first Art Star Pop Up Market of the season!  People came out in droves to check out the park, lay in the hammocks, play the boardwalk games, and shop our market.  The weather was perfect and the energy was amazing!  On market wasn’t the only thing happening at the park. Candy Coated was set up providing hands on screenprinting, there were face painters and craft tables for kids, performers, a DJ, and our friends over at Inliquid brought in knitter Melissa Maddonni Haims to yarn bomb the flagpoles (amongst a handful of artists scheduled to create on site installations throughout the season).  Also on view are murals by 8 Philadelphia artists (more on that soon, we are waiting on final placement of two important murals) It really felt like a celebration of how awesome our city can be!  Please come check out our next Pop Up Market this Saturday from 11-3.  Our full vendor line-up can be found here.

    Here are some photos from the day – please check out our Flickr set for more.

    Anthropolis Designs at Art Star Pop Up Market
    As The Crow Flies and Co at the Art Star Pop Up Market
    Bonnie Kaye set up a little picnic to display her hand printed textiles and accessories at our first Art Star Pop Up Market!
    Candy Coated busy providing hands on screen printing for SSHP visitors
    Kasie Strohm was selling her super cute sterling silver animal “ear” rings
    Tadpole Creations – We captured this adorable moment with Renee and her daughter. SO CUTE!
    Wear Liberty’s was set up and selling his awesome silkscreened tees
    Yarn Bombed poles at SSHP
    Our friend + neighbor, John with his pup in the #visitphilly chair

    This is why WE LOVE PHILLY!!!

  • Call for Artists: Art Star Pop Up Market at Spruce Street Harbor Park

    We are so excited to be partnering again with our Waterfront Winterfest collaborators to bring you an Art Star Pop Up Market at the new Spruce Street Harbor Park this Summer!
    The Spruce Street Harbor Park will be THE destination for summer fun and relaxation in Philadelphia.  It is situated at the Penn’s Landing Marina, right at Spruce Street and Columbus Blvd.

    From Delaware River Waterfront Corporation’s Press Release: This two-month summer program throughout July and August will bring a boardwalk, urban beach, fountains, and misting areas to the Delaware River Waterfront. The centerpiece of the project is a series of floating barges complete with lily pad water gardens, a pop-up restaurant and bar, and nets that will suspend visitors over the water. The full design of the project including the landscaping and programming will help evoke the maritime history of the area, and will celebrate the River’s industrial past and the bright future ahead for Philadelphia’s waterfront.  Learn more about this exciting new park here.

    The Art Star Pop Up Market will be a small, open air market featuring the work of 10-20 of the finest makers from Philadelphia and the surrounding region.  The Pop Up Market will be held on Saturdays from June 28th – August 30th along a tree lined walkway within the Spruce Street Harbor Park.  Come shop our curated group of vendors between 11am and 3pm every sunny Saturday (we won’t set up if it rains!) Vendors will be selling a variety of handmade goods with most items priced affordably and under $50.

    CALL FOR VENDORS!!
    We are currently looking for artists/crafters who create affordable goods (items priced under $50) to participate in the the following Saturdays of the Art Star Pop Up Market – August 2nd, August 9th, August 16th, August 23rd and August 30th.  Because this is a completely new venture for us, we are offering vendor spaces for FREE!  Vendors will be set up along a walkway that is 12ft wide and long enough to fit up to 20 vendors (2,000 ft).  Because this is kind of a tight space, each vendor will receive 10ft of space wide and then 5 ft of space deep.  You may bring a 10×10 tent to protect you and your goods, but you must keep your work/displays within a 10′ x 5′ footprint, in order to give customers space to walk through.  All tents must be properly weighted, though tents are not required.  If you don’t feel like bringing a tent, bring a large beach umbrella instead – feel free to be creative! There is a parking lot on site for vendors to park for $25 a day, or you can try to find street parking.

    If you are crafter/artist that is interested in vending at any (or all) of these days, simply email us at info@artstarphilly.com with a link to your website OR attach photos of the items you plan to sell AND the date(s) you are available to do.  Please put POP UP APPLICATION as the subject of your email. Deadline to apply is July 24th and we will let you know if you were chosen to participate by the the end of the day on July 25th.  Please email with questions – no phone calls please.

  • #artstarcraftbazaar Thank YOU!

    We just wanted to thank everyone that played a part in making the Art Star Craft Bazaar such a huge success!  Our small weekend staff, Philebrity, volunteers, the bands, our community partners and sponsors, all the vendors, DRWC – there are too many people to list! Most of all, we want to thank YOU, our customers, for coming out in droves to shop handmade and support so many talented makers.  We REALLY loved how many of you Instagramed your purchases – that was so awesome to see.  Please keep sharing.  We especially love seeing your purchases in action – hanging on the wall, being worn, used, etc.  Be sure to #artstarcraftbazaar so we can see them all!

    Here are some of our favorite customer pics from the weekend – enjoy!  And please continue to support our vendors by going to this link to be directed to all their websites. We’ll keep our vendor page up throughout the year.  And don’t forget – we carry work by many ascb artists, so come by the store to shop in person, year round!

    @alison_lucile shared a pic of a whole bunch of goodies that she picked up at the bazaar. I see a Xenotees Pizza Tank, Red Prairie Press top, Anthropolis Design Print, Andrew Zangerle Drawing, T-Rex by Lenny Mud, print from the 50/50 Company and a few more gems.

     

    @babyjives and her kiddos picking up some felt masks from Opposite of Far
    @caitlinthetoute picked up a new tank from Wear Liberty!
    @chrissylicious shared her entire bazaar haul! Lots of good stuff there – Olive + Bo, The Maple Ridge, Laura George (from us), Leroy’s Place, Trinity Framing, etc.
    Another good haul from @elle_melinda – I spy Seeing In Fabric, Cut + Paste Photobooth, Nice Things Handmade, Mai Autumn, Paper Sparrow (from us), Kayte Terry and more!
    @kittfraser looks great in her new Jay McCarroll Top!
    @leeannfenderson in her new necklace by Old Blood Designs
    @nilorthenile scored these awesome Bowie cufflinks by Leroy’s Place
    @soydark shared her new woodcut by Red Light Press
    @staceydoespics posed in a felt unicorn mask by Opposite of Far and one of our Unicorn masks made by CherryBox
    and last, but not least, @youmisheardme lookin’ cute in a Better Than Jam handprinted dress

    Thank you again to all of our customers for supporting us + our vendors and for generally just being awesome and having great taste!

  • Kelly Kozma Solo Exhibition at Paradigm Gallery

    Detail of “Chattersphere” by Kelly Kozma, mixed media on canvas

    As many of you already know, Kelly Kozma is our first Artist in Residence.  If you’ve been at the shop, you might have seen her diligently working in her studio space in our side room that is off of our back gallery space.  For the last couple of months she has been busy finishing up her latest body of work for her solo exhibition at Paradigm Gallery.  Her exhibition, titled “Chattersphere”, will be the first at Paradigm’s brand new and much larger space at the NW corner of 4th and Fitzwater.

    Detail of “Four Words, Sounds Like” by Kelly Kozma

    Kelly’s process driven, mixed media work typically begins as a flat piece of paper or canvas and is meticulously worked with brightly colored shapes and patterns that are created with layers of drawing, painting, hand embroidery, + jewels. The end result is a rich tapestry of abstracted patterns and textures that looks more like a textile piece, rather than the flat canvas or paper that it began as.

    detail of the back of “Four Words, Sounds Like” by Kelly Kozma

    I learned a fun fact about Kelly’s work since she moved into our space –  the backs of each of her pieces are almost as interesting as the front, which led her to create prints of the backs of each finished piece.  These prints are then transfered onto a blank canvas, becoming the first layer of her subsequent piece. This creates a lovely continuity in her body of work.  I’ve seen each piece for Chattersphere and they are all amazing on their own.  I cannot wait to see them hanging all together.  The show is now up at Paradigm Gallery.  Please join us at the opening this Friday from 5:30 – 10. And if you can’t make it to the opening, the show is up through June 21st.

    Important Links
    Facebook Invite
    Kelly Kozma’s Website
    Paradigm Gallery Website 

     

  • Get a Free Ride to the Bazaar with UBER!

    ARRIVE TO OUR ART STAR CRAFT BAZAAR IN STYLE WITH 

    We’re excited to announce we’ve partnered with Uber to offer all guests who are new to Uber a complimentary ride up to $20 using the promo code ARTSTAR 
    Uber is an iPhone/Android app that lets you tag your location and summon a professional driver to your side within minutes. Once in the car, the driver will take you wherever you need to go. The fare is billed to your card, with no need to tip, so you don’t have to worry about handling cash.

     Just click the promo code below and sign up! You’ll be riding in style in no time at all.

     PROMO CODE: ARTSTAR

    HOW TO UBER 
    Order a car
    Use the iPhone or Android app, or visit http://m.uber.com to request a ride 
    Your Driver Comes to You
    Sit back and relax. We’ll text you when your Uber arrives.
    Hop in & Hop out

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