Category: artist spotlight

  • Meet The Maker: Ron Nicole

    Self copy
    Photo by: Lianne Dunsing http://www.liannedunsingphoto.com

    Hello, my name is Ronni Robinson. I am the artist behind Ron Nicole. I create unique botanical sculptures, herbariums, and stationary. I work out of my tiny apartment here in Philadelphia which I share with my husband, as well as our crazy cat and dog. Our living room doubles as my art studio.

    Last year I became aware of a technique called Ikebana (the Japanese art of flower arrangement). Inspired by botanicals and their delicate nature, I began to study everything about them, the way they hang, their texture and their fine details. I’ve always been drawn to nature so it’s no surprise that all of my art is centered around flowers.

    4 pic with plant background copy
    When first coming up with this idea, I knew that I wanted to name each collection after a woman who inspired and pushed me to get here. It was my small way of saying thank you. I named my first collection Dorothy after my mother-in-law. At the time she was battling cancer but somehow always found the energy to offer words of encouragement and even helped get me art supplies.

    Black Wall Sculpture pic copy
    I just recently finished my new collection called Raychelle. This series is named after my sister, who has always been a driving force in my creative thinking.

    3 piece sculpture and framed pic copy
    Whether I’m working on my own collection or preserving a bridal bouquet, I think about how I want the flowers to be arranged together. Just like a florist, a lot of thought goes into the design of the finished piece. I think about each flower and the imprint they will leave in the clay. Each flower placement is purposeful. I start by rolling the clay out until it is smooth and even. Then I press the arranged flowers into the clay, creating a deep impression. Then the flower has to be removed (often with tweezers) before pouring a blend of plaster and cement into the mold. After that, I wait…

    set up copy
    I’m obsessed with flower preservation, so making art from my dried flower collection was a must do. They are not traditional herbariums. The white space around them creates a simplicity that’s easy on the eyes. Just like my botanical sculptures, I wanted to create something that would reflect my personal style. I want my art to embody the perfect balance of understated beauty and simplicity of design. My work speaks in soft tones. It doesn’t overwhelm or demand a room full of attention, instead it is humble enough to exist in the background.

    Herbarium Pic and close up
    This is my first year at the Art Star Craft Bazaar and I’m beyond excited. You’ll find me at booth #113. I hope you’ll stop by and say hello.

    www.ronnicole.com
    Instagram: @iamRonNicole

  • Meet The Maker: Raisha

    Hi I’m Raisha (rhymes with Asia).

    photo 1 - desk copy

    I’m an illustrator living in New York City. I mostly work from my home in Brooklyn- with all of my fun art junk crammed into this desk here.

    photo 2 - sketchbook copy

    I keep all of my ideas in a sketchbook. It’s like building a personal universe that is populated with drawings- it’s full of regular mundane things but that world is strange and wild and colorful.

    Photo 3 - color separations copy

    I pick my favorite ideas and clean up the rough sketches. The colors need to be on separate layers for silkscreens.

    photo 4 - big screen copy
    photo 5 - printing copy
    photo 5
    photo 6 - drying rack 1 copy
    photo 7
    When I was studying illustration at school, I always wanted to do more than just draw on paper. I started working in the printshop at The School of Visual Arts where I also experimented with sewing and mixed media work.

    photo 8
    photo 9
    Screen printing is one of my favorite mediums because you can turn a flat design into a 3D object. I enjoy drawing but the real love comes from seeing the work transformed into a “something”. I want people to have fun with my art- squish it or wear it or throw it at your friend.

    image 10
    In the future I’d like to use my larger work for collaborations with other artists- things like video art or window installations. In the meantime, I have some interesting apartment decorations.

    Come visit me at booth 121 at this year’s Spring Art Star Craft Bazaar!

    Raisha.com // IG: @raisha.mf // etsy.com/shop/RaishaMF

  • Meet The Maker: Carolyn Keys

    CK-Image-1 copy

    Hello I’m Carolyn, of Carolyn Keys! I’m a designer and maker based in Bucks County, Pennsylvania. I share a wonderful studio in the woods with my husband Justin, who is a sculptor and metalsmith.

    CK-Image-2 copy

    I’ve been making things with my hands since a young age when my father engaged me in wood shop projects that sparked my curiosity for materials, processes and design.

    CK-Image-3 copy

    Though creating with my hands was always my first love, I decided that design was a more practical field to pursue, so that’s how I ended up studying interior design at Drexel University. I went on to work for design/build firms in and around Philadelphia, working on diverse projects from historical Bucks County renovations, to modern glass and steel homes. In 2015, after spending 10 years as an architectural designer, I started to feel the need to get back into the shop. Though I still love the complex puzzle of architecture and building systems, I wanted to get back to the simple act of making. In December of 2015, I decided to leave my full time job and give it a go, thus Carolyn Keys was born.

    CK-Image-4 copy

    To be honest, in the beginning I didn’t even know exactly what to focus on. In the past I’ve made lighting fixtures and furniture, ceramics and printed textiles, abstract watercolors, and lamp work beads, to name a few. For several months, I just let myself experiment with lots of mediums to see what clicked. I started making simple modern jewelry that incorporated metal and wood elements. I loved how each piece was a small contained project, a sort of mini-sculpture that could be worn. I also found that I had fans eager to support my jewelry endeavor, so that has become my primary focus.

    CK-Image-8

    My process for making jewelry starts with many sketches of design ideas. This helps with figuring out the scale and proportion of pieces, and deciding what’s worth trying out in real materials. Depending on the design, my next steps involve hand cutting sheets of metal into shapes; cutting, bending and hammering wire; cutting tiny wood pieces out on a bandsaw, then sanding and shaping them. That’s followed up with lots of buffing and polishing of the parts before they get assembled into the final piece.

    CK-Image-7 copy

    I’ve also been experimenting with etching, which is a process of drawing a resist onto metal then submerging it into an acid that eats away at the metal to leave a pattern. Once the etching is done, I blacken the piece and then buff it back to enhance the pattern.

    CK-Image-6 copy CK-Image-5 copy

    I love how jewelry allows me to work with various materials and to learn new techniques. Having my own business keeps every day interesting whether I’m in the studio making, photographing new work, updating my website, or meeting interesting new people at an art show. I currently have work available at the lovely Art Star shop in Northern Liberties, and I’m excited to participate in my first Art Star Craft Bazaar, come visit me at booth #99!

  • Meet the Maker: PinBox 3000

    We admit it. We’re not you’re typical craft market vendors. We’re the Cardboard Teck Instantute from Burlington Vermont. We are here to Tilt the Future with our PinBox 3000.

    Pinbox3000
    Pinbox3000

    Our journey begins with a back story of ten years of puppetry, interactive sculpture, cheap art, and costuming. The process would begin in the dumpster, picking out a choice slice of corrugated board. But in the winter of 2015, we set out to achieve the utterly impractical- a cardboard tabletop pinball machine kit, the PinBox 3000. Our goal is not just to make single works of interactive, playable art. We want to inspire making with the versatility, strength, and accessibility of cardboard. The PinBox 3000 provides a platform for artists to design their own pinball-inspired dioramas, and to share those games with a larger maker and craft community.

    image 2

    image 6

    Starting with access to a laser cutter at our local maker space, we were able to convert our hand-cut shapes into vector file images and then into laser cut prototypes, allowing us the opportunity to test run multiple iterations in the same day. Two crowdfunding campaigns landed us at the doorstep of a box manufacturer in Philadelphia where the die-cut PinBox 3000 hit the assembly line and began wide distribution. We’ve successfully brought the PinBox 3000 into retail, maker faires, summer camps, after school programs, STEM curriculums, and art classrooms with inspiring results.

    image 4

    What is amazing about the PinBox 3000 is its ability to accept all types of materials as well as makers. Craft supplies and electronics equally share space in our designs and creations. We’ve been working alongside artists to develop interchangeable playboards that are produced for limited runs. As artists who have struggled for years to merge our educational experience with our artistic practice, we finally discovered one singular strategy: business start-up. Our mission to Tilt the Future means bringing DIY culture to more households, empowering users to enjoy the process of making, crafting, and playing through designing their own ArtCade with the PinBox 3000.

    image 5

    The Cardboard Teck Instantute consists of professors Pete Talbot and Ben t. Matchstick. Our home in Burlington VT is a hive of innovative educators, makers, inventors, game designers, and artists, who all lend support to the PinBox 3000 process. Not to mention the adults who also occasionally have an idea or two for us! We are honored to share this Philadelphia-made art/craft/game/kit/toy to the world, and we’re proud to call the City of Brotherly Love our hatchery for this low-tech, kinetic, and eco-friendly game system, the PinBox 3000. Tilt the Future!

    image 3

    Find our more at pinbox3000.com. Come by our booth at the upcoming Art Star Craft Bazaar to flip out at our PinBox 3000 ArtCade.

  • Meet the Maker: Rosa Murillo of Muro Jewelry

    muro jewelry11Hello my name is Rosa, I am an Architect, Artist and Metalsmith specializing on colorful 3D wearable art. I use all kind of materials such as metals, wood and resin to bring my designs to life. My husband Ruben joined me a couple years ago, after realizing I needed some help with all the work a small business requires; he became my sales and marketing guru. His background in Chemical engineering has been an asset as I develop new concepts and play with different materials. Together we are Muro Jewelry.

    muro jewelry12I grew up in Mexico in a beautiful city set on a valley surrounded by mountains that are so close you feel like you could reach out and touch them. My work is largely inspired by the mountains, recreating little landscapes with natural wood and encasing them in resin.
    My work is also inspired by the geometry in architecture, which is my college degree. In architecture I learned about proportions, how form follows function, and what the object wants to be versus what we want it to be. I find myself applying all of these concepts in making 3D wearable art pieces. It’s been surprising to me the way that life works out that way.

    muro jewelryThe resin and wood pendants that I make start their life as reclaimed wood that has been treated with resin in order to protect it from moisture, and then colored resin fills out all the beautiful peaks and valleys of the natural shape of the wood. I cut the wood/resin combo in smaller pieces with a saw and then decide how to showcase the uniqueness of each. Using a table sander, I shape each individual piece and then carefully sand them with 6 different grits of sand paper in order to achieve transparency and smoothness. The final steps are polishing and drilling in order to hang each piece from a chain that complements the color of the wood and resin.

    muro jewelry6

    Another aspect of my creative process is the use of Metalsmith techniques to create silver and brass frames to make earrings, rings and necklaces that I fill with hand pigmented resin. I like the freedom to make any shape and color I can think of.

    muro jewelry5 muro jewelry10

    We live in a small town in North Carolina with our three kids. My studio backs to the most beautiful woods where inspiration abounds.

    muro jewelry3

    This will be our first time participating in Art Star Bazaar, and we can’t wait!
    www.murojewelry.com 

     

  • Meet the Maker: Casey Lynch of Squirrel Tacos

    Hello! I am Casey Lynch and my company is Squirrel Tacos.

    photo7

    I grew up in Philadelphia near a small woods and a pond with parents that encouraged nature and art to be part of our lives. As a kid I was in love with all things paper, and burned through a couple blender motors trying to make my own paper pulp. After a few years of traveling and living in Idaho I finished my degree in ceramics at Penn State.

    photo8

    photo6

    The first time I saw a papercut I was at The Philadelphia Museum of Art Craft Show and I was transfixed. I had found my craft. Paper cutting was not popular at the time and I spent endless hours searching the internet for more information. I learned that it is also known as Kirigama or Scherenschnitte, first came to the U.S as a Pennsylvania Dutch folk tradition and is typically circular and symmetrical. Somehow I wanted to be a paper cutter but not in the traditional style, I wanted to carve free form without using classic iconography. Eventually, I taught myself using a craft knife and dozens of different blades until finally settling on a trusty #11 blade and a Martha Stewart handle.

    photo5

    photo2

    Coming from a sculptural background, working in 2D has presented challenges. My process is to draw out the design and cut away the negative space from a single sheet of archival paper. Once the cut is complete I play with different ways the design can add dimension using shadows. I’ve worked with glass lockets, deep set frames, intricate layered portraits which build dimension, and I’ve had typographical collections; however, the wildlife and nature series are my signature lines. Those pieces are layered in shadowbox frames with National Park Service photographs placed deep enough in the frame to encourage closer inspection.

    photo3

    Today I live in New Jersey, once again surrounded by woods and water. Many hundreds of blades, experiments, disasters, and triumphs have contributed to the personality of my work. I aim to marry my love of all things paper, with my reverence for the outdoors, the tiny and great creatures around me, and the world beyond.

    photo9

    My company, Squirrel Tacos, is named for a tiny squirrel who has a fondness for eating taco shells at our kitchen window, he is one of many backyard characters that finds their way into my papercuts. I also have pygmy goats, a couple of ginger cats, and a litany of wild creatures keeping me guessing with paw prints and tracks.

    photo4

    I am beyond thrilled to be a first time vendor at Art Star Craft Bazaar, come and visit me in booth #90!

  • Meet The Maker: Sherry Insley

    My name is Sherry Insley of Sherry Insley Designs out of Baltimore, MD. I am an artist, metalsmith, teacher, and maker of things and people. I currently work mainly in jewelry, but do also dabble in small sculptural objects, wall pieces, and photography. I come from a background in photography, and while working on my MFA thesis, I taught myself how to weld to make frames for my photography work. My curiosity about metalsmithing was sparked and I dove into metal work.

    image2

    My current work is called the “Crescent Series” and is comprised of welded steel, sterling silver, brass and powder coating. I was influenced by Japanese textile design, the repetitive waves and cloud shapes, and the way positive and negative space is defined. I am also inspired by modern architecture and graphics, as well as more minimalist bold use of line and space. Materially speaking, my interests are in the industrial look and feel of steel, its hardness and durability, vs. the rounded shapes I am forming it into. The steel’s inherent “masculine” qualities contrasting with my design’s softer “feminine” curves. Steel is most commonly associated with building, strengthening, and manufacturing- here through traditionally industrial processes, I am transforming it into objects for adornment.

    image3

    My process begins with mild carbon steel in wire, sheet and rod. I cut it and form with hammers and stakes into the shapes that I want. Then I weld with a very tiny, very hot oxyacetylene torch. I wear the dark glasses because the flame is so bright it can damage your eyes. Next I grind all the welded joins for a smooth appearance. Filing and sanding is next, then it’s off to the powder coating booth! Powder coating is another industrial process I enjoy, it is generally used in the automotive industry. It protects the metal from oxidizing and rust, and the color options are fantastic. How powder coating works is an electrical current is run through the metal to be coated, then you spray the pigment with a powder coating gun. Lastly the piece is cured by heating in an oven at 400 degrees. Powder coating is very durable and provides a lovely smooth finish. My current color pallet, is Ruby Red, Chrome, and Satin Black.

    image1

    I work mostly out of my home studio in Baltimore, where I live with my very patient husband, super creative 7 year old son, 2 cranky elderly cats, and 1 rescue Boxer in a wheelchair. I do my welding and powder coating at The Baltimore Jewelry Center, where I rent studio time and space, and also take classes. It is a wonderful community of artists and makers, and I wouldn’t be where I am today without it.

    image

    I am looking forward to showing at Art Star Craft Bazaar! Please stop by and say hi!

  • Meet The Maker: Lauren Herzak-Bauman of Lauren H-B Studio

    Hi! My name is Lauren and I make functional ceramics under the name Lauren H-B Studio. I grew up in a suburb near Cleveland, Ohio and always loved when my dad took me to the city. I loved visiting the Old Arcade with its beautiful wrought iron architecture and glass ceiling and window-shopping at all the small businesses that called this place home. My love of Cleveland and its architecture grew to include the century-old warehouses and factories that are found all over the city. My studio is housed in one of these old buildings, one that used to make electric cars at the turn of the century.

    1

    Clay has always been my go-to material. My mother started a community art center when I was young and I learned to throw on a pottery wheel before I could drive. But I did not always make pots. While I started my college education making functional work, I went to graduate school in Minnesota to study ceramic sculpture (you can see that work at laurenhb.com). I moved back to Cleveland from Minneapolis about four years ago and started making pots to support myself until I could find a full-time job. I discovered a lot of support for my work in my hometown and now I am happily self-employed as an artist, working on both my sculpture and my functional work.

    2

    Drawing on my background in sculpture, my forms take inspiration from abstract art and architecture. For surface inspiration, I look to natural phenomenon, such as moving water, rock striations, and star clusters. I love making things that can be both beautiful and useful. I design pots that have multiple uses. My serving bowls serve as tabletop artwork when not in use, but are also food safe and great for passing food around the table.

    3

    Making ceramics is a multi-step process. I work with plaster molds made from original designs to create my forms. This allows me to make geometric shapes and to repeat the same shape with consistency. I pour a porcelain casting slip inside each plaster mold. The plaster absorbs the water from the slip and leaves a skin. After some time passes, I pour out the remaining slip. The remaining ‘skin’ becomes the ceramic object.

    4

    After each piece comes out of the mold, I refine the surface and add any necessary slip details prior to the first firing. After the first firing, I spend a lot of time working on the surfaces of each pot. I really love the glaze process! I enjoy layering colors and finding new ways to add surface to my pieces. After I finish glazing, the pieces go back in the electric kiln for a glaze firing. Some pieces will go in the kiln one more time, this time for a luster firing, which allows me to add a low temperature metallic surface to the pieces.

    5

    This is my first year traveling to Philly for Art Star Craft Bazaar and I couldn’t be more excited to share my work with a new audience. I’m bringing lots of new pieces and a new color palette to the show. Please stop by Booth #55! And thank you for shopping small business and handmade!

  • Meet The Maker: Aftyn Shah of Rise + Wander

    Processed with VSCO with a6 preset

    Hello! I’m Aftyn, the self-taught printmaker behind Rise + Wander. I started R+W less than a year ago, and I’m feeling pretty lucky to be part of Art Star’s Craft Bazaar for my first in-person event. I work out of my home studio in Narberth, PA, on a desk covered in succulents and little treasures my son brings home from our walks.

    Processed with VSCO with a6 preset

    Blockprinting is such a simple, straightforward process, even if it can take weeks to execute. I sketch the bare bones of an image directly onto a block, then slowly carve away pieces to reveal the more detailed picture, and finally ink and print for the big reveal. Every print I pull is a complete original that has gone through the whole process with me. It might look almost identical to its predecessors at first, but each one has its own unique characteristics borne from the hand-pressing process. Printmaking truly makes owning original artwork accessible for everyone, which I think is a really cool aspect.

    image1

    The meaning behind Rise + Wander, as is often the case with creative businesses, is a personal one. After a bad car accident a few years ago, I developed quite a bit of anxiety, and doctors encouraged me to get outside. Returning to nature, to hiking and having little aimless adventures with my son, soothes my mind. I love the deliberate action implied by Rise combined with and contrasting against the more leisurely directionless Wander. I think it’s important to be intentional about having unstructured time outside.

    Processed with VSCO with a6 preset

    My first attempt at blockprinting started as art therapy. When I decided to try it out, inspired by my exposure to beautiful Indian textiles through my husband’s family, I knew next to nothing about it. I picked up cheap tools and some small linoleum blocks from a local craft store. Using those small blocks, I mostly created feathers and leaves, but as the size of the blocks grew my subject matter began to consistently represent my “Happy Place” outside.

    Processed with VSCO with a6 preset

    When I’m outside, whether it’s hiking at a National Park or walking to the nearby coffee shop, I’m often silently translating the natural elements around me into lines and gouges. I decide how I would interpret specific textures or patterns onto a block. It’s become a bit of a game, a mental exercise.

    Processed with VSCO with a6 preset

    When someone views my work or purchases a print, I hope they feel inspired to get outside and also perhaps like they’re bringing a bit of the great outdoors into their homes.

    Processed with VSCO with a6 preset

    Like I said, the Art Star Craft Bazaar will be my first in-person event, and I’m excited for the experience. We’re still new to the area, and I can’t wait to meet lots of new people and share my work. Looking forward to seeing you all there!

    —————————————————————————————————————–

    Aftyn Shah is the outdoorsy printmaker living near Philadelphia with her husband and son. She’s usually daydreaming about mountain lakes, wild pines, and kayaking, which inspires many of her prints. Follow Rise + Wander on Instagram (@riseandwander) or check out her site riseandwander.com.

  • Meet The Maker: David Salonen of EDMM studio

    as-file-prep-copy
    I’ve always liked to understand, create, and build things. So, when I found industrial design it seemed like the perfect fit. My training and experience ingrained in me that good process delivers good outcomes. My curiosity and love of making things motivates me to learn new skills and develop them. I’m pretty sure the combination of these two qualities is how I got here.

    as-jack-green-oak-copy as-junior-junior-copy
    There is a part of EDMM studio that’s kind of always been there—doing things the right way, not adding the unnecessary, keeping it simple–but I put a name on it, and started to focus my efforts in late 2014. After leaving a job that was a bad fit and not wanting to go back to welding in a shipyard, I decided to start my own business. The time was as right as it was going to get. I had a few months before my son would be born and my wife was into it—so I got to work. I incorporated, designed and built some furniture, took a bunch of pictures, and put it all on the internet.

    as-dauphin-coffee-copy
    Where to build things when you live in a city can be a real challenge. Not owning many tools and not having a garage, I started working out of a nearby cooperative shop that had both woodworking and metalworking tools–mostly on evenings and weekends. Every time I got an order it was a bit of a crunch, but the best kind of crunch. I’m thrilled (and lucky) to have my own shop now, and to be able to work the way I want.

    as-sketchpile-copy as-cad-copy
    I’m not into “extra” anything. I love the simple, the sturdy, and the dialed-in single-purpose, I think this shows in my work. I start with form and intended use, and then I start sketching. A lot of the time those sketches go nowhere, but when I’m onto something I’ll work it out in CAD. 3D modeling allows me to experiment with proportions, helps me iron out technical details, and lets me preview finishes and materials.

    as-planing-copy as-grinding-copy
    With a finalized design, I move on to fabrication and another layer of problem solving. Often I’m making something completely new and will have to figure out how I’m going to build it. I might be making a tool, a jig or fixture, finding a better way to clamp something, or just selecting the best material for the application—these steps are all part of the process. Then with a drawing and a plan, I can settle into the less brainy and more physical parts of the work—really focusing on my weld puddle, grinding that radius exactly like the last one, or sanding that end-grain so so smooth.

    as-junior-grey-blackwood-copy as-jill-red-walnut-copy

    EDMM gives me the opportunity to do all these things, while addressing familiar household design problems, making beautiful and durable artifacts, and hopefully giving my clients a richer and more positive and personal experience with both me, and with my product than they can get with mass produced goods.
    ————————————————————————————————————–
    EDMM is a first time Art Star Craft Bazaar Vendor and will be showing at our November 19th and 20th show at the Simeone Musuem! Find his work at http://www.edmm.com/ and https://www.instagram.com/edmmstudio/

The owner of this website has made a commitment to accessibility and inclusion, please report any problems that you encounter using the contact form on this website. This site uses the WP ADA Compliance Check plugin to enhance accessibility.